Interweaving poetry, painting, photography, music and sculpture, this feature documentary is an innovative look at the lives and work of Canadian men and women artists of Italian origin. Broaching issues of identity and culture, the film explores the relationship between the immigrant experience and the creative process.
Tag: 1990s
The film tells the story of a grounded American pilot during the Second World War who learns about the noble spirit of the Chinese poeple when he is rescued by the communist-led Chinese army after an emergency landing near the Great Wall. On the way to the Communist base, the pilot falls in love with a girl soldier whose lingering memory of being raped by the Japanese makes her a determined fighter. Half a century later, the American pilot returns to the Yellow River to pay his respects to the native people who rescued him.
Jun arrives in Hong Kong from mainland China, hoping to be able to earn enough money to marry his girlfriend back home. He meets the streetwise Qiao and they become friends. As friendship turns into love, problems develop, and although they seem meant for each other they somehow keep missing out.
Allegedly based on a true story, this film follows the life of Toshi, a Japanese man living in America and working with the New York City police. After being recommended for undercover work, Toshi decides to go after a gang lead by Hawk. Hawk and Toshi soon become friends, although Hawk’s second-in-command, Tito, is suspicious of the newcomer. Will Toshi be able to bring the gang down, or will his cover be blown before he can finish the assignment?
The tension arising between the demands of AIDS activism and Gregg Bordowitz’s increasing desire to explore aspects of his own life outside the framework of AIDS resulted in the appropriation of a work from the Soviet avant-garde: Nikolai Erdman’s play The Suicide. The protagonist, Semyon, as he tries to unyoke himself from the enforced optimism of a bureaucratic order that prohibits any discussion of disappointment and despair following the revolution.
Demontage IX shows a body dangling between two metal walls. A human being as a clapper? The viewer’s anxiety increases with the length of the scene. A film about violence without moralizing. Romuald Karmakar sets the scene – the audience has to think about the images further.
When Kirk, a top roller-blader, discovers that he has bone cancer in his leg, his pleasant affluent life is shattered. Even though amputation provides the best chance for survival; to him, losing skating means the end of life. His friends cannot cope with his condition, but his hospital isolation is relieved by Marty – a street kid survivor who was found dying of leukemia. Marty bullies, taunts, and challenges Kirk, until he begins to climb out of his depression. Marty seems afraid of nothing and, knowing she will die, wants to experience everything.
Teresa is not like her female colleagues. She cannot enjoy that kind of simple minded pleasure like watching males stripping. There is that Dutch painting in the museum she is fascinated of. Over and over she sits in front of it just staring at the young Dutch guy on it. One day the scenery on the painting becomes alive…