Seven Women, Seven Sins represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world’s most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.
Tag: 1980s
The last decade (1937-47) of the poet Hans Fallada’s life. He lives with his family in Carwitz. His craving for harmony collides with the circumstances of the times and his own inner turmoil. He writes already anything of note, drinks and takes pills. His wife Anna sees him through his times of darkest depression, tolerating his overt aggression and his affair with the house maid Anneliese. But once he begins a relationships with the manufacturer’s widow Ursula Losch, Anna finally calls for a divorce. His love for the pretty, young Ursula delivers him a new thirst for life, but only for a brief time.
Upon arriving at an all-male brothel where he is welcomed as a regular, controversial Irish scribe Oscar Wilde is treated to a surprise performance of his recently banned work of theater, “Salome.” As a group of prostitutes runs through a bizarre and bawdy version of the play — which retells the story of Herod, his daughter and the execution of John the Baptist — Wilde responds to the sexual advances of a handsome young man.
An idealistic young female doctor hires a hard drinking cynical truck driver to take her to town to buy medical supplies for a tribe stricken with cholera. She offers him payment in diamonds sought out by sinister parties.
A corrupt television preacher and his congregation are held hostage by a woman, her lover, and her two cousins in an attempt to avenge the theft of her inheritance. A quirky look at the dishonesty of the televangelist industry.
A young man tries to overcome the hostility of his girlfriend’s father, a tuna fisherman, by getting the older man to teach him the secrets of his dangerous trade.
After finding out that her partner has been unfaithful, Samantha Hollings leaves Los Angeles to take over a disused opel mine in Australia which she has inherited from her late father. Two men seek her attentions, one pressuring her to sell the apparently worked-out mine and the other suspicious about the company’s motives for wanting to sell.
Shot on 35mm, “Arabesques on the Pirosmani Theme” is an original view of the naive work of the Georgian painter Niko Pirosmanichvili, commonly called Pirosmani. By a series of short scenes, played and composed on his paintings, the Armenian director Sergei Paradjanov (originally: Sargis Hovsepi Paradjanian) glorifies the life and work of the most famous Georgian artist.