When American reporter Steve Martin investigates a series of mysterious disasters off the coast of Japan, he comes face to face with an ancient creature so powerful and so terrifying, it can reduce Tokyo to a smoldering graveyard. Nuclear weapon testing resurrected this relic from the Jurassic age, and now it’s rampaging across Japan. At night, Godzilla wades through Tokyo leaving death and destruction in his wake, disappearing into Tokyo Bay when his rage subsides. But which disaster is worse, Godzilla’s fury, of the death of Tokyo Bay?
Tag: 1970s
In Paul Verhoeven’s sexual psychodrama Turkish Delight — an adaptation of Jan Wolkers’ best-selling erotic novel — Rutger Hauer is Eric, an Amsterdam artist whose paintings and sculptures are all perverse. He spends his days wandering around the city and picking up young female lovers — whom he beds and then tosses aside mercilessly — and keeps an extensive scrapbook of mementos from his bedmates. Eric is deeply haunted, however, by a dysfunctional past relationship. He only fell in love on one occasion: with Olga, a mentally unstable woman dying of a brain tumor.
——UPGRADED——
This bracing World War II epic was the film that brought Verhoeven to Hollywood’s attention. It follows a group of college friends through the Nazi occupation of Holland, as two becomes heroes of the resistance movement, while another turns traitor. As usual, Verhoeven’s moral ambiguity and skewed sensibility keep things complicated: far from a patriotic flag-waver, Soldier of Orange is as knotty, subversive, and gonzo as war movies get (witness the hero performing a homoerotic tango), while demonstrating Verhoeven’s ability to balance action with involving human drama.
Dramatization showing the 1968 seizure of the spy ship, Pueblo, by the North Koreans and the treatment of the Pueblo’s crew during their year of captivity through flashbacks during the 1969 investigation of the affair.
An experimental, ludicrous, plotless, absurd, surreal comedy. It is seemingly intentionally impossible to understand. It leaps from scene to scene, world to world, with recurring names and actors being the only things that hold it together. Very much like sketch comedy, except without much of a point. The movie literally goes from “Moment To Moment”, with no actual narrative in mind rather than to just film a bunch of miscellaneous scenes and ideas and cut them together. Make of it what you will.
Angi Vera is a strikingly beautiful 18-year-old assistant nurse living in postwar Hungary. When she speaks out publicly about problems at her hospital, she’s not condemned by the new communist regime — she’s earmarked for big things. Sent to a party training school in a rural town, she must debate the nation’s new philosophies with other “chosen” pupils.
Kevin is wandering through the confused haze that most college students pass through at one time or another: lectures that make little – if any – sense, pranks by the fraternities and sororities, deep yet meaningless discussions on philosophy with ones friends. Through all of this, Kevin passes in and out of a dream-like fantasy world, in which he and his friends sail the ship ‘Queen of Sheba’ to a variety of islands, with natives both friendly and hostile.
Novelist Philippe is a French novelist recently relocated to Ireland, where makes friends with Jerry an American expatriate who left his home after the death of his girlfriend. Philippe and Jerry become chummy with Taubelman, who is looking after Anne, a beautiful young woman who cannot speak. Jerry becomes infatuated with Anne, while Philippe tries to win the heart of Sharon, Jerry’s sister.