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The film opens with a salute to Walt Disney, a pioneer of nature films and animal lover, followed by a compilation of excerpted segments from the True-Life Adventures film series showcasing animals of all kinds depicted in dramatic, fascinating moments of habitats from the American prairie to the North American desert, to Africa, the Amazon jungle and to the Arctic.
Tag: 1970s
A half-cast used cars salesman wants anything from the white society and is ready to do anything to get it. But when he is accused of murdering his half-sister who was killed with his rifle, he flees to an indian village. He doesn’t feel any more at home there than in the white city. He decides to go back to find and punish the killer.
After a series of events, Georg Hauser, an established middle-class man, is at odds with the world, in which he himself used to work so well. He wants out. He wants to live. In a moment of his very own clarity, he destroys his car, but whoever destroys his property is an enemy of the state.
In this end-of-the-life scenario, which is designed as an expressive silent film with subtitles, a group of adolescents and scattered loners move through a destroyed landscape. One of the leaders is poisoned by his girlfriend, who now takes his place and demonstrates her power to a newcomer. However, he in turn passes the test of courage, puts himself in the place of the head of the group and leads the ever-growing community into an uncertain future.
Chris Munger directed this blaxploitation version of the popular skinflick Starlet! (1969). The story concerns Clara , an aspiring actress from the housing projects of Gary, Indiana, who goes to Hollywood in search of fame and fortune. Predictably, she is robbed, betrayed, and must hit the casting couch before her dreams can come true.
The film is a humorous lecture on the internal structure of a dachshund. Parodying popular lectures at the same time, it contains a message about the superiority of the products of living organisms’ techniques and calls for respect for the environment.
Singer Matthew Crowe teams up with a tent show preacher who uses him as part of his touring show. Matthew lands a record deal and the preacher becomes his manager. They hire a group of musicians and become very successful. However, his new fortune increases his dependence on drugs, and his off-stage carousing threatens his career.