This is the only existing television interview of Jacques Tourneur, shot in his French country house in Bergerac in May of 1977. Very interresting stories about the Hollywood system and cinema industry hierarchy and codes.
Tag: 1970s
This raw Italian political melodrama investigates the underbelly of Rome in the early ’70s, exposing drugs, crime and sexual scandal. Many of the characters and episodes are based on incidents which made Italian newspaper headlines in that period. Throughout, it implies that one important behind-the-scenes personage (“number one”) is pulling the strings of the characters. The film’s tone of outrage clearly differentiates it from a more easygoing film exploring the similar nightlife of 1960s Rome, La Dolce Vita.
American screenwriter Michael Moore arrives in Paris to work as a script doctor for a struggling film production. At the airport, he is met by Jean-Paul, a charming chauffeur who once served time for manslaughter. Despite this, Michael and Jean-Paul quickly forge a friendship. The American’s pleasant stay in Paris becomes complicated when he meets an attractive, wealthy woman at his hotel — the complication being the fact that he is married.
Nina, a gorgeous blonde communist, attracts the attention of two wealthy bon vivants. Prince Solomon and Jack attempt to impress the young woman and win out over their rival, surrounded by the stunning scenery of Greece.
Once a year, an aristocratic Austrian family holds a traditional feast at which masters and servants trade places. A troupe of actors (including cult cabaret artist Ingrid Caven) are hired to entertain the guests, performing fragments from the “cultural scrap heap”: GONE WITH THE WIND, Madame Bovary, Tennessee Williams, Swan Lake. The decadent proceedings take on a dangerous edge when the actors incite the servants to revolt against their masters-but is the Revolution also part of the act?
A man and a woman sit in a room and when the wind blows the window open, the man imagines what would happen if he kills the woman and the following drama blurs the boundaries between reality and fiction.
This animated short film attempts to answer the eternal questions, What is dying? and How does it feel? Based on recent studies, case histories and some of the ancient myths, the afterlife state is portrayed as an awesome but methodical working-out of all the individual’s past experiences. Film without words. Score by Herbie Mann.