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Ten days of preparation for the Monte Carlo rally. The two Polish drivers battle with the technical shortcomings of the Polish Fiat 125 and overwhelming bureaucracy. They did not finish the race. An allegory of the country’s industrial and economic problems.
Tag: 1970s
Alan Clarke’s film of a day in the life of a professional footballer makes for fascinating viewing today. Knowing Clarke’s passion for Everton FC, producer Lambert attached him to Brian Clark’s 1973 script, which captures the moment where money, glamour and celebrity begin to enter the world of football.
In this, his 1977 feature-film debut, director Kidlat Tahimik, who is widely regarded as the father of independent Philippine cinema, stars as a Filipino jeepney driver who wants to emigrate to America to become an astronaut. Dreaming of an idealized version of the West, he chairs the fan club of the rocket designer Wernher von Braun and is a devoted listener of Voice of America. Traveling in his colorfully decorated extended jeep he arrives in Paris, where his illusions can’t survive.
Gabe Kaplan stars as David Greene, a New York deli owner who moonlights as a basketball coach at pickup games around the city. One day, David gets the offer of his dreams: a coaching position at Cadwallader College in Nevada.
A traveling minister and his wife are quietly menaced by a devil cult in the Old West. By the time the Good Reverend figures out what’s going on it may be too late to stop the evil.
This Hungarian black comedy is set at a very special fantasy park that allows visitors to play organized war games. It proves to be a very popular attraction amongst the bored tourists until they suddenly realize that they are shooting real bullets. The authorities quickly close the park, but then recruits its director to begin using it to train real troops.
Glauber Rocha films the funeral of his friend Di Cavalcanti, one of the most important Brazilian painters and artists of all time. The director/writer pays his tribute to Di by narrating an eloquent speech, referencing poets such as Augusto dos Anjos e Vinicius de Moraes, along with images of Cavalcanti’s work and the funeral as well – with the latter event being a spur of the moment to the director who rushed with his camera to the place when he heard the news.