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This Hungarian black comedy is set at a very special fantasy park that allows visitors to play organized war games. It proves to be a very popular attraction amongst the bored tourists until they suddenly realize that they are shooting real bullets. The authorities quickly close the park, but then recruits its director to begin using it to train real troops.
Tag: 1970s
Glauber Rocha films the funeral of his friend Di Cavalcanti, one of the most important Brazilian painters and artists of all time. The director/writer pays his tribute to Di by narrating an eloquent speech, referencing poets such as Augusto dos Anjos e Vinicius de Moraes, along with images of Cavalcanti’s work and the funeral as well – with the latter event being a spur of the moment to the director who rushed with his camera to the place when he heard the news.
♦♦ Amos Vogel’s “Film as a Subversive Art” ♦♦
Sentenced to life imprisonment for illegal activities, Italian International member Giulio Manieri holds on to his political ideals while struggling against madness in the loneliness of his prison cell.
The early 1970s were very good to glam rockers Slade. In their native Britain, they invaded the charts with 17 Top 20 hits, including six at #1. Devoted fans couldnt play Slades anthem-rock loud enough, and the band played to packed clubs and concert halls all across the country. Like The Beatles and The Who, Slade too was seduced by the call of celluloid. In 1975, the band answered that call, starring in the critically lauded Slade in Flame. A darker kind of Spinal Tap, the film features the band starring as a fictitious version of themselves, while taking a gritty, realistic look at the underbelly of the music industry, where hustlers, sharks and managers prey upon hot new bands.
Seize the Time was shot in the United States following the activities of the Black Panther Party. Antonello Branca’s film blends fiction and documentary. One only professional actor, Norman Jacobs, goes through simbolic pop visions of american imperialism set against real images like police combings, students marches, drills, interviews. it is an America where black people and above all Pathers are killed and repressed according to a precise plan. The film should have been screened at the Venice Film Festival but Branca prefered to withdraw it due to the unacceptable conditions set by the festival direction.
Landow rejects the dream imagery of the historical trance film for the self-referential present, using macrobiotics, the language of advertising, and a speed-reading test on the definition of hokum. The alienated filmmaker appears, running uphill to distance himself from the lyrical cinema, but remember, “This is a film about you, not about its maker.”
14-year-old Jurek spends his summer holidays in his Silesian hometown of Borzechów. The boy gets into a conflict with a group of peers bullying their weaker colleagues. He is also shaken by the mysterious disappearance of his mother, who has allegedly gone away to a sanatorium. Unexpectedly, he falls in love with Elżbieta, a girl from Warsaw. The new experiences accelerate his coming of age and turn him into a responsible, courageous man. The end of summer holidays becomes a symbolic end of his childhood.