Lt. Frank Hewitt deserts the Union Army to warn former Texas neighbors of impending Indian attacks triggered by Army massacre. He overcomes initial distrust and convinces the homesteaders (all women whose men are away fighting in the Confederate Army) to take refuge in an abandoned mission. He trains them to fight and shoot in anticipation of the attack. The only other man at the mission runs away to save his scalp and ends up leading the Indians back to the mission. Surrounded and outnumbered, the defenders prepare for the final assault…
rarefilmm | The Cave of Forgotten Films Posts
Crime drama in which a man unknowingly helps a gang pull off a big heist. The gang discovers that the man is more trouble than he is worth and as a result, things don’t go as smoothly as planned.
In Stockholm, on St. Lucy’s feast day, a bandit daringly robs a crowded post office. Within a fortnight, two witnesses are dead. Two cops from vice squad, Johansson and Jarnebring, who were the first to the crime scene, pursue all leads and identify a suspect, an arrogant member of the elite secret police, a man assigned to guard the country’s Minister of Justice. Just as the beat cops think they’ve tightened the noose around the suspect, loose ends appear, witnesses lose their certainty, alibis crop up, and even the cops doubt what they’ve seen. Who’s protecting the suspect and why?
The year is 1919. German troops retreat from Ukraine. The Directory, the Ukrainian national government lead by Symon Petliura, takes control of Kyiv. Meanwhile, the Bolshevik division commanded by Mykola Shchors is marching on the capital. The Bolsheviks capture the cities of Vinnytsia, Zhmerynka, and others one by one, but lose Berdychiv to Petliura’s forces. They are demoralized by the defeat. By his personal example of courage and military skill, Shchors inspires the retreating Red troops and leads them to victory over the enemy.
Guan Jian wants to report the murder of his father who died 10 years ago. The alleged murderer whom Guan Jian accuses of the crime is his own mother.
A commission from the Ministry of Education for an educational film about rural youth, Mizoguchi’s earliest extant feature observes the tensions that erupt among a group of village children when two privileged youth return from Tokyo where they have been studying in a private school.
It’s the last summer of the Second World War in Yugoslavia, but so far nothing much of this has touched Andrea. He’s the lifeguard who has never had to save a life and as such is a well-liked figure of fun. Yet, as far as he is concerned, the river is good to him, giving, and not taking. However, the evils of war are not far away. Andrea agrees to take care of two refugees, the widow of a partisan and her son. Andrea and his friend Martin are uneasy… The water devil, who lives near Martin’s house in the faery waters, is becoming restive, and this means trouble. Andrea, however, is delighted when he saves his first drowning man. But just whose life has he saved?
A socially committed film about the feudal state of many Japanese women in 1946. Hiroko Hosokawa, a female lawyer, defends Mrs. Asakura, who suffocated her child in her grief after her husband died penniless following an industrial accident. The prosecutor is Hiroko’s sister’s husband Kono, who also sent Hiroko’s fiance, Yamaoka, to jail for his liberal views during the war. Yamaoka has just been freed, but is seriously ill from his time in prison.