The third part of Euripides’ trilogy relates Orestes’ confrontation with the people of Argos after killing his mother Clytemnestra and her lover Aegisthus, and his struggle to defend himself and his heritage – with the support of his sister, Electra.
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This early example of the “backstage” musical genre tells the story of Kitty Darling, a fading burlesque star who tries to save her convent-educated daughter April from following in Mom’s footsteps.
Marshal Landry captures outlaw Girard and bringing him in finds a woman and two children, the only survivors of an Indian attack. Later, transferring the prisoner his brothers free him. Then a stage is robbed of a silver shipment by Girard and his brothers. Examining telegrams gets Landry a confession from Girard’s girlfriend. The telegraph line has been tapped and the telegrapher is the supposedly dead husband of the woman he brough in. Now knowing Girard’s location he sets out after him.
A photographer is chased by professional killers who have mistaken him for the person they’re really after.
When a businessman who has had a double indemnity policy taken out on him dies mysteriously, his insurance company sends an undercover investigator to town to determine exactly what happened.
A criminal uses his knowledge of the law for his not-very-legal purposes, betraying friends along the way.
A patient observation on the adventures a group of three young girls spending their three-week summer vacation at a small village, a quotidian that includes cooking, excursions, playing cards and going out with guys, enjoying the simple pleasures life has to offer.
The title of “A Confucian Confusion,” a frantically up-to-the-minute comedy of manners about life in present-day Taipei, refers to a novel written by one of t he characters in the movie. In the book, Confucius is reincarnated as a popular media personality. To his chagrin, the ancient Chinese sage discovers he is admired not for who he is but for being such a brilliant impostor.