A film about black women in South Africa filmed secretly with the help of two black women journalists. Through interviews with five typical women, and comments from four women activists, including Winnie Mandela, the film clearly shows the devastating impact of apartheid on black women and their families. Narration by Peggy Phango.
rarefilmm | The Cave of Forgotten Films Posts
An advertising executive finds herself in a small-town jail after being terrorized on a drive from Los Angeles to New York by two hitchhikers who steal her car and leave her unconscious by the roadside. She becomes a fugitive after killing her jailer during a rape attempt and breaking out with one of the hitchhikers who could prove her innocence. This made-for-tv movie is a sequel to the 1976 feature film Jackson County Jail.
Fictional character played by 24 different actresses, Françoise Durocher is altogether small time waitress, hostess and barmaid. Together, according to the author, they represent the archetypical Québec waitress that everyday waits on us with a smile, despite whatever problems she faces in her personal life. First cinematographic experience of the Brassard-Tremblay tandem, this film full of ironic joy details all the nuances of the waitress living conditions.
A 20-year old woman living a life without direction in Los Angeles provides the focus of this contemporary drama. Jane is the unfocused protagonist and narrator of the story. She makes a minimal living as a typist. In her spare time she writes a novel. Jane experiences a constantly deepening depression as she copes with her father’s death, a distant lover, and her new romance with an artist. She prefers to avoid confrontation, but cannot when Sam, the distant lover, returns from Europe.
This short fiction has much to say about kindness, although without any dialogue. In a combination of live action and animation, we are introduced to a man who discovers a small plant hidden under the snow and takes it inside his house. The plant responds to his loving care with rather startling enthusiasm.
Zaza is a good-looking and intelligent Israeli man in his thirties, but despite his family’s wishes he is still a bachelor. His relatives, holding fast to the traditions of their Georgian Jewish heritage, try to arrange a marriage for him by setting him up with a series of eligible young virgins. Zaza, however, is secretly in love with Judith, an opinionated divorcee with a young daughter. As Zaza struggles to decide between tradition and love, Late Marriage manages to become comic, emotional, and erotic all at once, while constantly maintaining respect for both sides of the debate.
A first film made almost single-handedly on a tiny budget, this is an admirably ambitious stab at the documentary-essay form familiar from films like Chris Marker’s Sunless. A brazenly personal response to Calcutta, it attempts to delve beyond the facile notions the West entertains about the city (‘an example of wretched over-population’), and combines vivid visuals with a narration that plunges fearlessly into economics, politics, religion, sociology and philosophy. Adverts, movie clips, comic strips, stills of the director’s mother, footage of religious ritual and street life merge into a complex web of ideas that are neither hackneyed nor obvious. A tantalising effort.
Marya is married to medical student Victor Sablin, who finds it impossible to deal with military life when he is inducted into the Russian army during World War I. When her husband is sentenced to death by firing squad due to his insubordination, Marya offers herself to General Gregori Platoff in order to save him. When the two unexpectedly fall in love, Victor — not caring that his life has been spared — threatens to kill his rival.