Ishihara Kiyoshi plans to marry the woman he loves, Chiee, a coffee shop girl. After an accident, Chiee loses her memory. A romance movie whose original work by Ayako Sono was made into a melodrama by a combination of Shinoda Masahiro and Terayama Shuji.
Category: Drama
After narrowly surviving a traumatic brain injury, macho pro boxer Eiji Adachi (Hidekazu Akai) puts his life on the line for another chance at boxing glory—vying for a comeback despite the seriousness of his condition. A hyper-masculine brute with a devil-may-care attitude, the hot-tempered Adachi starts again from the ground up, launching his own Osaka training gym with the hopes of returning to the ring. At times comically absurd, Sakamoto’s film brings a satirical yet bleak approach to the self-destructive nature of the boxer, further bolstered by the very fact that the film is based on the life and career of lead actor Akai himself.
Franta Louka is a concert cellist in Soviet-occupied Czechoslovakia, a confirmed bachelor and a lady’s man. Having lost his place in the state orchestra, he must make ends meet by playing at funerals and painting tombstones. But he has run up a large debt, and when his friend, the grave-digger Mr. Broz, suggests a scheme for making a lot of money by marrying a Russian woman so that she can get her Czech papers, he reluctantly agrees. She takes advantage of the situation to emigrate to West Germany, to her lover; and leaves her five-year-old son with his grandmother; when the grandmother dies, Kolya must come and live with his stepfather, Louka.
A group of neighborhood teenagers discover some suspicious goings-on near a naval base in San Diego, and suspect that a foreign espionage ring is at work trying to find out military secrets.
Handsome, from rundown suburbs, Roman, aged twenty, unemployed with a child of 20 days and the mother of the latter to support, Davide spends a day looking for work, finds a somewhat shady one, is cheated, steals a ring from a dead and, to the mother-child who questions him on where the money comes from, he replies: “I didn’t hurt a living soul.”
Gaston Kaboré’s movie «Zan Boko explores the conflict between tradition and modernity with a family in a rural contexr. It has been for long time a central theme in many African films. Kaboré tells the poignant story of a village family swept up in the current tide of urbanization. In doing so, «Zan Boko» expertly reveals the transformation of an agrarian, subsistence society into an industrialized commodity economy.