Rags to riches to rags comedy loosely based on the director Steve Burrows’ actual experiences while writing screenplays in Los Angeles. Burrows (aka “Milwaukee Steve”) finally makes it big as “The Crotch Fresh” commercial guy, but then can’t catch another break — not even when he auditions for a new Crotch Fresh commercial! He decides the only way to make a comeback as an actor is to fake his own death, then make a glorious return.
Tag: USA
A cine-poem. Presents the sights, sounds, beauty, and rhythm of rain as it comes to living things on a farm and to people in the city. Explains that rain is a source of the water which we use, and that it affects plants and other living things as well as people working in the community.
The creation of the Federal Deposit Insurance Commission would soon render anachronistic such crime melodramas as One Way Ticket. Upon discovering that a prominent banker has absconded with his customers’ funds, Jerry, one of the unlucky depositors, reacts by turning thief. He steals exactly the amount that he’d deposited, whereupon the cops close in and arrest him. Still feeling that he was merely getting back what was due him, Jerry bitterly stews in a jail cell until he’s swept up in a prison breakout. The other escapees are killed, but Jerry manages to get away, though from this moment forward he’s forced to live the toad-like life of a fugitive.
A young Pennsylvania man moves to Los Angeles to begin work for an ambulance service. There he is teamed with a supremely confident vet who seemingly has gone through a large number of partners. Initially the novice is awed by the more experienced man’s capabilities to deal with the high pressure situations they encounter. However, gradually he discovers that all is not as it seems. While the vet is ice on the surface, he actually gets through the ordeals by heavy drug use and avoids commitments. Soon the younger man finds himself pulled into the same world and has to decide what direction he wants to take.
An old man is outraged at the city when a teenage boy is beaten to death after being denied refuge in the old man’s home. A young teacher is determined to learn the truth about the murder of one of his students, a Hispanic teenager, who is beaten to death in a racial attack. He was denied refuge in the home of an old man and his wife.
These film clips tell the story of the human experience of living with HIV/AIDS. People with HIV/AIDS, their husbands and wives, their families, their doctors and health workers talk about how HIV/AIDS has affected their lives. These are the personal video stories from Cameroon and Zimbabwe in which people speak out about their hopes and fears, their struggle against pain and abandonment and their fight for greater awareness and understanding. The film challenges stereotypes and calls for a concerted effort to face up to the epidemic.
A tenor, in suit and tie, with a receding hairline, sings a ballad to his love, “Your face is like a song,” to simple piano accompaniment. As he sings about his love’s face, his own face goes through phantasmagoric changes, beginning with his warbling mouth moving about. As the singing continues, his face twists, turns, explodes, liquefies, becomes block-shaped, multiples, curls, disappears in sections and all at once, and always reconfigures itself serenely into its original shape.
The first US film to be made under the Dogme 95 vow of chastity, Harmony Korine’s follow up to the controversial ‘Gummo’ tells the story of schizophrenic Julien, his pregnant sister Pearl, and their pedantic, over-bearing father. Using handheld digital cameras, Korine gathers together a series of disparate incidents in the life of the family – Julien’s friendship with a young blind figure-skater, Pearl’s masquerade as her and Julien’s dead mother, their brother’s training as wrestler, a visit to a gospel meeting – while slowly and subtly building towards a tragic climax.