Having been adopted by the madam of a southwestern brothel, a now adult Adrian must cope with the fact that he’s Satan’s kid, and not living up to his expectations. Sequel to Roman Polanski’s 1968 film but unlike the original, this one has little connection with the novel the first film was based on.
Tag: USA
Ten-year-old Adan lives a carefree life in the rural town of Palmarejo, Puerto Rico, in the late 1950’s, surrounded by his friends, his caring mother, Lilliam, and his beloved pet goat, Chivo. His father, Pablo, returns home from New York City after a brief absence, bringing good news that he has found employment there and announcing he will be moving the family to the distant city immediately. Although Adan initially thinks the trip will be fun and exciting, he discovers that he cannot take Chivo along with him. With the help of his childhood friend, Denise, Adan embarks on a quest to find a new home for his goat…
Renowned folk singing group The Weavers plans and performs a reunion concert at Carnegie Hall in 1980, to celebrate the 25th anniversary of their first public concert in 1955 at Carnegie Hall, after being blacklisted. The film covers the group’s political and musical background, their overnight success and blacklisting, and their influence on the 1960’s American folk music movement, including interviews with performers Peter, Paul and Mary, Arlo Guthrie, Don McLean, Holly Near and journalist Studs Terkel.
John Korty’s first film is a short documentary made for the Quakers (with whom he fulfilled his service as a conscientious objector to war) about a peace march. Toward the end of his career Korty called it his most personal film.
Ken Park focuses on several teenagers and their tormented home lives. Shawn seems to be the most conventional. Tate is brimming with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother. Peaches looks after her devoutly religious father, but yearns for freedom. They’re all rather tight, or so they claim.
John Ward served as producer, director, screenwriter, and star of this satiric comedy with a romantic undercurrent. Ward plays a would-be filmmaker whose girlfriend wishes that he could develop a bit more maturity. After an argument, he packs his bags and heads to California, where he indulges in his Hollywood fantasies as he tries to get his foot in the door of the film business. However, absence makes the heart grow fonder, and the time away from his significant other makes him realize just how much he misses her.
Nico was born in 1938 as Christa Päffgen. She was tall, blonde and slim, with a deep voice and big, strange eyes. ‘The siren of the sixties’ The Times called her at her death. It seemed that everyone who met her was enchanted by this gorgeous but bizarre woman. She associated with celebrities like Lou Reed, Jim Morrison, Jackson Browne and Andy Warhol. She played in films by Fellini and Philippe Garrel and she made records with The Velvet Underground. Filmmaker Susanne Ofteringer spoke with a lot of people who knew Nico, including her son, a boy who has the same curious eyes as his mother. The structure of the film resembles a collage of archive footage, music, photos and interviews, which gradually reveals the image of an intangible but fascinating personality.