Between 1798 and 1812, the wild, romantic country of the English Lake District saw an intense concentrated flowering of literary genius. At its centre was the poet William Wordsworth, born in the region, who lived there almost all his life with his beloved sister Dorothy. Around him, as the genius of the age, gathered other poets and writers – Robert Southey, Samuel Taylor Coleridge and Thomas de Quincey. This idiosyncratic two-part mini-series, conceived by acclaimed director Ken Russell, concentrates on the relationship between William and Dorothy, and the battle with laudanum faced by Coleridge.
Tag: UK
DON’T SHOOT THE COMPOSER is far from an ordinary profile of Georges Delerue. It also serves as a calling card for Ken Russell, whose work would define the 1970s as Delerue’s did in the 1960s. It begins with a sly work of pastiche, parodying the conventions of French noir. It goes onto encompass slapstick, verité scenes of the Delerue family and a harrowing montage of the Vietnam War. This eclectic approach gives us a sense of the different facets of Delerue’s life- his love of cinema, his home life, his work ethic. It also prefigures Russell’s feature length biopics of Mahler and Liszt, though in a more modest- and lucid- fashion.
Helen finds herself having intimacy problems with men. Her private parts are devouring all lovers and leaving her with an insatiable thirst for blood. In order to satisfy her cravings she becomes a prostitute which leads to a death filled tale of murder, madness, and sex.
This travelogue tells the story of Turkey from 200BC, including the attack by the Greeks, Romans, the origination of the first seven religions, the Crusades, the creation of the Turkish State and the modern tourist industry.
After meteors enter Earth’s atmosphere, blinding much of the planet’s population in the process, plantlike creatures known as Triffids emerge from the craters and begin to take over. Military officer Bill Masen, one of the few sighted people left alive, meets with other survivors in England and tries to find a safe haven from the vicious vegetation, as scientist Tom Goodwin desperately seeks a way to defeat the leafy extraterrestrials.
At the beginning of the Second World War, in an Essex fishing village, Fritha, a young orphan, finds a snow goose wounded by shotgun. At the same time, she gets to know Philip Rhayadar, a hunched back artist who lives a solitary life in an abandoned lighthouse in the marshlands. With his help Fritha manages to nurse the bird back to flight. A fairy tale into which tragedy smuggles the day Philip decides to come to the rescue of British soldiers caught in the trap of the Dunkirk battle…
Mysterious young Andrina is the only friend of an old man. When she fails to visit him one day, he goes down to his seaside village to look for her but no one knows of such person there. Who is Andrina?
The World is Watching is a political film about the moral issues surrounding news gathering and newsmaking in the electronic age. Who decides what constitutes the news? How do they decide? And what about the men and women who report from the field. Are foreign correspondents allowed to tell all that they see? The film examines these complex issues by focusing on several international journalists in Nicaragua as they cover the negotiations surrounding the Arias Peace Plan in November 1987. With unprecedented access to the inner workings of ABC News, what follows is a unique portrait of a news crew in the field, as it interacts with the editorial process in the newsroom in New York City.