In A Hole in the Soul, director Dusan Makavejev’s free-form, autobiographical meditation on the nature of a place combines aspects of both physical place (the former Yugoslavia) and mental place (the cinematic avant-garde). Makavejev mixes styles and genres in order to explore his sense of himself and his physical environment. Makavejev’s bold contribution to BBC Scotland’s acclaimed TV series The Director’s Place allows audiences a highly personal look at the director as he explores his own hole in the soul.
Tag: UK
The long and flamboyant career of the French filmmaker is depicted in Abel Gance: The Charm of Dynamite, a documentary created for the BBC by film historian and Abel Gance scholar Kevin Brownlow. A Blue Ribbon winner at the American Film Festival of 1976, this documentary, along with Brownlow’s history of silent film The Parade’s Gone By and his restoration of Gance’s 1927 Napoleon, was instrumental in bringing Gance’s cinematic genius to a new generation of film enthusiasts.
An in-depth look at the band during their first trip to China. George Michael and Andrew Ridgely tour China with their group WHAM! as the first Western band to tour the Communist country, beating out Queen for the privilege. Director Lindsay Anderson was the surprise choice to chronicle Wham!’s tour of Communist China, taking in performances in Hong Kong, Beijing and Canton for a two week period in the month of April, 1985.
Steven Dyer, an executive working for a giant multinational drugs company, decides to report his employer for breaches of Common Market trading regulations. One night in Basle, Switzerland, he leaves his home to post a letter, the start of a nightmare journey that leads to terrible consequences for his life, his career and for his wife and children.
After Larry Darrant accidentally kills his lover’s estranged blackmailing husband, someone else is arrested for the crime. Larry and Wanda have just three weeks together before the trial, and if the man is found guilty then Larry will give himself up and prevent an innocent man going to the gallows.
Produced for the 1984 London Film Festival, Derek Jarman’s Imagining October is a dreamlike meditation on art and politics in the final years of the Cold War. In this film Jarman explores art and politics in the final years of the Cold War, drawing connections between pre-Perestroika Russia and Thatcherite Britain. The title refers to the 1917 Bolshevik revolution and Sergei Eisenstein’s propaganda film October: Ten Days That Shook the World (1928).
Two men meet while travelling north on separate missions. Charlie wants to catch up with the man who has stolen his wife, while Vicente is trying to escape a contract castration. After their car breaks down, they seek sanctuary in an isolated building home to a strange sect whose whole equilibrium is threatened by the arrival of the two men. The result is chaos.