Ya Zamene Ahu is a quiet documentary about the visitors of the shrine of Imam Reza, the eighth Shiite Imam, in the city of Mashhad in the North East of Iran. Nicknamed the “Guardian of Deer,” it is said that Imam Reza once protected a deer chased by a hunter.
Darvish Khan, a deaf-mute shepherd living in the desert, has a mystical vision in a dream in which he encounters a saint. When he awakens, he finds himself clutching a large stone. Grateful for the vision, he aims to pay homage and begins to construct an unusual monument in its honor. After his wife tells a neighbor that it is miraculous place, news of his ‘garden of stones’ spreads and people from neighboring villages come to see it. The result wreaks havoc upon Darvish Khan’s life.
After their Tehran home is destroyed in an air raid during the Gulf War, Farhad Sadri and his family set out for the safety of northern Iran. As they travel, the family faces a series of unsettling and transformative encounters that expose the emotional scars left by conflict. Blending quiet realism with psychological tension, the film traces their attempt to rebuild a sense of normalcy amid uncertainty.
Amir, desperate to earn enough money to marry his fiancée Maryam, becomes involved in the illegal operations of a gang run by a man named Afshar. Complications arise when Afshar’s wife develops feelings for Amir—feelings he does not return. But when Afshar finds the two of them alone one day, suspicion and danger begin to close in.
Four year old Jairan is ignored at home, and is itching for something to do. She convinces her neighbour, an old lady who is partially blind, that the two of them should travel across one of the world’s busiest cities, Tehran, to buy rice. What could possibly go wrong? A gentle take on Planes, Trains and Automobiles, Talebi’s disarming film starts as an odd-couple adventure, then opens out into something profound and unforgettable.
An assembly of women of all generations gather inside a school of Tehran to take an exam that will lead them to the university. Their conversations reveal their daily problems.
It is 1987 at the middle of the Iran-Iraq War, Bashu, a young boy loses his house and all his family. Scared, he sneaks into a truck that is leaving the area. He gets off the truck in the Northern part of the country, where everything from landscape to language is different. He meets Naii, who is trying to raise her two young children on a farm, while her husband is away. Despite cultural differences, and the fact that they do not speak the same language, Bashu and Naii slowly form a strong bond.
Amidst the wreckage beneath the ruined statue of the Buddha, thousands of families struggle to survive. Baktay, a six-year-old Afghan girl is challenged to go to school by her neighbour’s son who reads in front of their cave. Having found the money to buy a precious notebook, and taking her mother’s lipstick for a pencil, Baktay sets out. On her way, she is harassed by boys playing games that mimic the terrible violence they have witnessed, that has always surrounded them. The boys want to stone the little girl, to blow her up as the Taliban blew up the Buddha, to shoot her like Americans. Will Baktay be able to escape these violent war games and reach the school?
