Three women staying at a remote Welsh inn toss coins into a well wishing to improve their miserable lives. Along comes postman Evans to help them out and set them straight.
Tag: HD
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A widow in a small town begins to realize that her late husband was hated by nearly everybody. She begins to receive blackmail letters that threaten to further humiliate her if she does not pay up. She enlists the help of Franz, a man who was once fired by her late husband, to track down the source of the letters…
The first Irish film by cinematographer and director Patrick Carey celebrates the landscape of William Yeats’ poetry through stunning photography, narrated by Tom St. John Barry. Evocative images of the west of Ireland illustrate the poet’s life including Thoor Ballylee Castle where he lived, Coole Park, home of Lady Gregory where literary figures of the period socialised, Lissadell House, Knocknarea Mountain, the slopes of Ben Bulben, the waterfall at Glencar and finally Yeats’ grave at Drumcliffe.
A woman settles down to a fresh start with her new husband, but their future happiness is shattered when the policeman who raped her 13 years earlier turns up in the same town. Based on a true story.
In one of the first postwar films in Yiddish, director Samy Szlingerbaum retells the story of his childhood through his parents’ immigration to Belgium after WW2 and their subsequent failure to adjust. Stunningly photographed, Brussels Transit weaves together haunting footage of postwar Brussels with astounding black and white photography, offering an emotional journey into one family’s poignant longing for a sense of home alongside European Jewry’s overwhelming isolation after the War.
Oliveira’s fourth feature, adapted from a play by his close friend José Régio, was one of his major breakthroughs as a filmmaker: a fable about a deeply sheltered young woman who tells her wealthy, religious parents that she’s been impregnated in the wake of an angelic visitation. It’s possible to take Benilde, or the Virgin Mother as a scathing denouncement of religious hypocrisy, a veiled response to the abuses of the Salazar regime, or a set of obsessive, carefully staged formal exercises—or some combination of the three.
This story is based on the novel “Jo no mai” by Tomiko Miyao which is based on the life of painter Shōen Uemura (1875–1949), the first woman to be awarded the Order of Culture. The title refers to the masterpiece bijinga (“picture of a beautiful woman”) that Uemura painted at the age of 61. The main character, Tsuya Shimamura, is born in Kyoto as the second daughter of a tea trader who dies before her birth. Tsuya, who loves painting more than anything and is hopeless at housework, attends art school and at age 15 receives the name Shōsui (from the characters for “pine” and “green”) from her teacher. The crown prince of England purchases one of her works, propelling her to fame overnight.
Mitsuko Murakami puts the passion to balloon in the hot-air balloon Circle “Airheads”. The club gathered young people holding a variety of thoughts. But “Airheads” is disbanded not too long after. Five years later, “Murakami was in a traffic accident” starts to go around between the circle members, and for that reason the members reunite and hold again a large banquet in order to remember Murakami and the days in the Club.
