A thief named Egor, having served a term in prison, goes to the country to meet his pen-friend Lyuba, a kind genial village woman. Egor comes to love Lyuba sincerely. Now he has friends, work and a beloved woman, he decides to break with his criminal past and start a new life. However, his former criminal associates interfere brutally.
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Rut Hillarp’s film interpretation of the legend of Tristan and Isolde. She borrowed this classical theme from her collection of poetry The False Farewell. The White Hands is an attempted surrealistic visualization of a poem, using symbolic image sequences.
Two filmmakers travel around impoverished sectors of the cities of Bogotá and Cali in search of the images of abjection needed to complete a documentary commissioned by German TV. Meanwhile, another camera captures these “vampire” filmmakers feeding off the misery of their marginal subjects.
August 1962, and one day is much like the next. La Dolce Vita starring Anita Ekberg is playing in cinemas and apartment block janitor uncle Simon hosts the in-house morning radio show with news, advice and music. The Communist Youth League is organizing a competition. The winning team of the Talent Show can take part in the World Youth Meeting far away in Helsinki. Naturally, the winners have already been decided. This musical satire built on reworked hits and gags parodies both the Kádár system and those who look back on it with nostalgia.
Big Joe is a lineman for the telephone company. Angel is a teenage migrant worker. They form an unlikely alliance and start a rose-growing business. At first wary of each other, they grow to trust and like one another. Eventually, Angel must leave the area when his father relocates the family in search of migrant work.
The elderly Veronika who lives alone has two resolves. The first is to collect sufficient money through her own labour, to be able to visit her only living relative, her son, in London. The second is to start cultivating her long-neglected vineyard. The lady, who has suffered greatly over the years, works with stubborn will and quiet serenity to achieve the goals she has set herself. Imre Gyöngyössy and Barna Kabay’s lyrical, documentary-style film received numerous awards at international film festivals.
Eleven directors from 11 countries each contribute an 11-minute short reflecting on the events of 11 September 2001: A village teacher in Iran tries to explain to her young students what’s happened; city kids in Burkina Faso think they’ve spotted Osama bin Laden; a deaf Frenchwoman in Manhattan writes a Dear John letter to a man who left that morning for work at the World Trade Center; a Chilean remembers Allende; events recall other deaths; a mother endures more than her son’s death. The tones vary, as do the locales. Most stories are about others coming to terms with the events of the day, but at least one confronts the viewer with tragedy and death.