The heroine of this drama played out at the beginning of the Horthy era is a chambermaid who has travelled up from the countryside to work in the capital. Through her vulnerability we clearly see the interdependency of society at that time. Anna moves from paradise to a family lacking in love or compassion, where she loses everything and everyone who once loved her. The director of the film based on the novel of the same name by Dezső Kosztolányi worked out the scenes with absolute precision. Thanks to this and the finest actors of the age, we have one of the most moving films ever made in Hungary.
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Abel has never left home (literally). After failing with doctors and psychiatrists, Abel’s father Victor brings home Christine, a friend, in an attempt to teach Abel basic social skills. But Victor’s wife Duif accuses him of having an affair, and in the ensuing row Abel is thrown out into the street. But help is at hand when he runs into kind-hearted stripper Zus – whose show Victor is obsessed with…
After wandering into a cemetery, a young man named Shusei is led by the mysterious Madame Enjoji to a secluded mansion. There, he is introduced to Aido, an ethereal woman who seems to be the living embodiment of his most surreal erotic fantasies. Caught between the real world and a haunting dreamscape, Shusei becomes obsessed with Aido.
Stéphane, a young Parisian, goes to Romania to search for Nora Luca, a Roma singer harshly criticized by Roma activists for allegedly denigrating Roma’s image that his father listened to incessantly in the last days of his life. His search takes him to a gypsy village where he befriends Izidor and witnesses the pains and joys of the Romani experience.
Adapted by Károly Makk and Zoltán Kamondi from a 1955 work by Tibor Déry, the film follows celebrated writer György Nyári, who unexpectedly rises from his coffin during his own funeral and heads toward the cemetery. As rumors spread about a secret diary exposing the intellectual elite, the story reflects with irony on Hungary’s late Kádár-era cultural circles.
Isabelle Kahn is a successful film actress whose young daughter, Emily, is frequently cared for by her parents in Normandy while she’s away working. After a production ends in Berlin, she returns to visit her daughter. However, the rejoicing is short-lived. Her smitten costar follows, and his presence sets off an intense clash between the self-centered thespian and her mother.
After his parent’s divorce, Kazuo Saito moves with his mother from Onomichi and must leave his girlfriend behind. At his new school, Kazuo is surprised to reunite with his childhood friend Kazumi. Obayashi’s self-remake of Tenkôsei.