1976 marks the beginning of Beirut’s calvary. With a child’s eyes the filmmaker follows for six months the daily destruction of the city’s walls. Every morning, between 6 and 10am she roams around Beirut while the militia from both sides rest from their night of fighting.
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Alfredo seems to lead the life of so many Ticinese families born in the valleys, who now only go back to their native village for the weekend. But Alfredo doesn’t longer experiences the journey as a form of escapism, but as an obsessive rite which is repeated over and over again. Alfredo has lost his own identity.
An animated urban tabloidshort about late socialism in the Kádár era, based on interviews with passersby. Its title, which combines the words “report” and “portrait,” features exclusively talking heads and offers an overview of the living conditions, opinions, and plans of Budapest residents of different backgrounds and ages during the János Kádár era.
Set during the first period of independence for Latvia (1918–1940), the film’s plot revolves around a shrewd business man Edgars Ceplis, who establishes a clay brick business with the aim of exporting and building on his already considerable wealth. At first a fantastic success he soon becomes aware that his empire is crumbling beneath him due to a contamination of the clay, which makes the bricks unstable. He narrowly escapes defeat, however, by manipulating those around him, successfully extracting himself from the business before anyone discovers that there is anything wrong and the company collapses under a new director.
The porajmos, that is, the Roma holocaust, is an area of 20th century history that is still not fully explored. There are no accurate details on the number of victims and not a single Gypsy witness was called at the Nuremberg Trials. In 1981, this documentary by József Lakatos was one of the first to use the tools of motion pictures to draw attention to this devastating historical trauma. The film honours the forgotten dead through the input of a historian and the recording of accounts by survivors.
Tommy has lost his job, his love and his life. He lives in a small apartment above the Trees Lounge, a bar which he frequents along with a few other regulars without lives. He gets a job driving an ice cream truck and ends up getting involved with the seventeen-year-old niece of his ex-girlfriend. This gets him into serious trouble with her father.
After killing his abusive father, a troubled teenager becomes the focus of a police investigation that unravels the emotional scars, fractured family bonds, and shattered dreams that led to the shocking crime.
György Kovásznai transposes this Jules and Jim-inspired love triangle into his own world, centering it on a circle of young intellectuals who drift through the streets of Budapest and gather in cafés. The film imitates the personal tone of the diaries with the use of painted black and white photo retouching.