A prisoner is found unconscious in his cell after an attempted suicide. The prison doctor is called to resuscitate the man and so must face an ethical dilemma.
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A Year in the Life of Franek W. is a 1967 Polish documentary film directed by and based on a screenplay by Kazimierz Karabasz. The film depicts a year in the life of a twenty-year-old boy from a small village, Franciszek Wróbel, who emigrates to large industrial Silesia to join the Voluntary Labor Corps. Karabasz’s method was based on careful and impartial observation of the protagonist’s fate; the only commentary was provided by letters read by Wróbel himself.
Roger Graef and The Thaldomide Society’s groundbreaking film about Brett, a boy born without arms, introduced the plight of Thalidomide children to the world. We see touching and personal scenes from his home life – rough and tumble with his brothers, meal times and other practical activities, revealing Brett’s extraordinary dexterity with his feet and his determination. Brett’s mother’s deeply personal narration describes how family life has been affected and how hurtful people’s comments can be – both to her, as a mother who took thalidomide, and in relation to Brett’s physical appearance.
Intrigue and deceit in medieval Hungary, with spectacular choreography by Miklós Jancsó. Gáspár, the youngest scion of the ruling family, returns home from Italy and discovers he is destined to be crowned king. However, the path to the throne is convoluted and in the death dance around the court nobody can escape their fate. Ninetto Davoli, known from Pasolini films, also plays an important role alongside László Gálffi, while József Madaras and György Cserhalmi similarly excel in this carnival-like allegory mixed with pantomime.
In 1954, escorted by a sergeant, a French nun travels through Tonkin, spreading the good Catholic word as she goes. A mute child leads her to a remote village. Installed at a carpenter, the travelers prepare the projection material indispensable to their propaganda. At nightfall, in a storm, a group of maquisards surrounded the house. Fortunately, the carpenter is a respected man. The attackers withdraw. After a sudden rise in water, the mute child loses the precious message that had been entrusted to him by a wounded maquis…
Middle-aged businessman, Simon Léotard finds his future in jeopardy when his partner Julien commits suicide after having accumulated a mass of debts. Simon’s unscrupulous business rival Lépidon offers to save him from bankruptcy by buying his company, at a discount rate. Reluctant to fall into Lépidon’s trap, Simon decides to resolve the crisis himself. A prostitute, Mado, provides him with the solution to his problems…
A cheerful parking attendant considers it his job to do more than validate parking. He wants to validate the customers themselves, delivering compliments about their appearances and the inner qualities behind them. Everyone who comes up to him with a ticket walks away validated as a worthwhile human being. Soon, the parking attendant becomes so popular that people line up for validation. His life hits a roadblock when he goes to the DMV to get his driver’s license photo taken and is met with a beautiful photographer whom he can’t get to smile.
A disturbing cinematic opera from Melbourne film-maker, Michael Lee, presenting an intense emotional collage of film clips, original footage and complex object animation, structured loosely in the form of a Catholic Mass, to communicate the film-maker’s traumatic Catholic experience. The film is intended in part as ‘anti-imagery’ in response to the iconography of Catholicism.