This expansive Greek drama follows a troupe of theater actors as they perform around their country during World War II. While the production that they put on is entitled “Golfo the Shepherdess,” the thespians end up echoing scenes from classic Greek tales in their own lives, as Elektra plots revenge on her mother for the death of her father, and seeks help from her brother, Orestes, a young anti-fascist rebel.
As part of a television series devoted to Europe’s major cities, Angelopoulos was commissioned to make this film about Athens. Although much of Angelopoulos’ cinema is set among the villages of the northern countryside, he was born and raised in the city, so this film finds the director musing on an Athenian past that is variously ancient, national and personal, as well as clips from the “history” films The Travelling Players, The Hunters and Alexander the Great.
The Hunters, a thematic epilogue to the historical trilogy that centers on a group of middle-aged hunters who discover the perfectly preserved, 30 year-old frozen remains of a partisan (bearing an uncoincidental resemblance to the Byzantine image of Jesus Christ) and, compelled to deliberate on its ‘proper’ disposition, spend a haunted, restless evening confronting their past. Set in post-junta era Greece, the film is a contemporary allegory on the nation’s deliberate suppression of painful and unflattering history and collective deflection of personal accountability.
An English singer travels around the Greek countryside. He meets a strange creature, part man part fox, and together they start looking for Danilo Treles, a legendary musician from Andalusia. Tornes’ craziest film wears its heart on its sleeve, starting with the title, which could conceivably allude to a Spanish surname but even the director himself could not deny the direct reference to the Greek language (Treles translates into madness).
From the Medieval period through the Renaissance, Antoinetta Angelidi’s experimental work of allegories and aesthetic compositions contemplates the treatment and representation of women in Western art, moving through several historical stages and intertwining them with abstract sequences of perceptions, memoirs and varied perspectives, all of this executed with a very theatrical presentation.
A concentration camp on a barren island is hell for the exiled prisoners. The everyday life of the people who live there consists of interrogations, psychological and physical violence, arbitrary punishments and other torments. One of the prisoners who refuses to yield is subjected to torture. Trying to escape, he falls into the sea. When the Queen visits the island, the prison guards find the runaway and murder him without a second thought, since he is already assumed dead.
Artist returns to Santorini, where she spent her childhood, to face the ghosts of her past and her present.
While unearthing an icon of the Holy Madonna in her small apartment, an elderly Greek woman sighs that she is in the inevitable winter of her life. She studies a textbook of the French language, which she used to have a thorough command of, but unfortunately let slide. She hardly reads anymore, either, which she thinks rather stupid of herself. Her window on the world is her television, which she briskly comments on. The bleach-blond anchor woman is very sharp, but her favourite is newsreader Niko. The Box is a reflection in miniature format about old age and one-way communication in our media-dominated society.