Volpone, an elderly Venetian, connives with his money-crazed servant to convince his greedy friends that he is dying, knowing that each will try to curry favor with him in order to be named his heir. He is inundated with valuable gifts, and soon finds himself entangled deeper and deeper in a web of lies.
Tag: FRANCE
Charming con-artist Charlotte is suspected of murder when her boyfriend is found dead in her apartment. She flees to her former lover and despite the fact that he is living with his fiance, he succumbs to her charms and joins her in a wild romp across the French countryside to Spain.
A Greek-American filmmaker, known simply as «A», returns to his hometown in northern Greece for a screening of his latest controversial film. His real reason for coming back, however, is to track down three long-missing reels of film by Greece’s pioneering Manakia brothers who in the early years of cinema traveled through the Balkans, ignoring national and ethnic strife and recording ordinary people, especially craftsmen, on film. Their images, he believes, hold the key to lost innocence and essential truth, to an understanding of Balkan history.
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In the winter of 1943 two young Jews, Alek and Fryda, escape, via sewer tunnels, from the atrocities underway in Warsaw ghetto. Alek, entrusted with undeveloped photos of the horrors within, makes his way to a supposedly safe apartment only to find it occupied by Germans. Another tenant, a pole Stephania, abruptly offers to shelter him in her spacious apartment. She comforts him and they make love that very night. Stefania is uncommonly generous and willing to jeopardize her own safety by hiding a Jew. She even goes to a nearby church and rescues Fryda. But Fryda is ungrateful and proceeds to sabotage the trio’s safety in insidious ways.
Miéville’s first solo feature is a sensitive, emotionally complex portrait of three women: a young opera singer contemplating having a child; her mother, who is torn between two lovers; and her grandmother, who lives a life of solitude. As in so many of Miéville’s films, communication is the theme; each woman must struggle, often against the men in their lives, to find her own voice.
The film tells the story of Frau Concha a femme fatale or as the story points out, a “fille perdue”, a lost girl who has no feelings or scruples, toying with men as she pleases.
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The young and handsome Kano Sozaburo is admitted to the Shinsengumi, an elite samurai group that seeks to defend the Tokugawa shogunate against reformist forces. Kano is a skilled swordsman, but his physical beauty leads the members of the strictly male group to compete for his affections, generating tensions that threaten to become lethal. In Gohatto, Nagisa Oshima explores the ambiguous forms of masculinity that the samurai code concealed, with a terrific cast including Ryuhei Matsuda, Takeshi Kitano and Tadanobu Asano subtly capturing the dangers of repressed homoerotic desire.
An ageing writer Paul is determined to make a film but he cannot decide on the subject or location. Instead, he chooses to concentrate his efforts on finding the actress who will star in the film, believing that she will define the lead character and content of the film. He recruits a young man, Jean, to try to find an Italian actress, Dara, whom he has lost sight of. Jean finds Dara in a small Italian town, serving in a modest restaurant, but she refuses to return to acting…