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In his fourth feature, Århus loyalist Nils Malmros continues his reminiscing fiction portryals of school days in the 1950s. You follow a class during its final years of grade school. The kids are teenagers, clannish, clownish, sweet and vicious, struggling to make sense of their physical and mental growing pains. The film was shot over two years: the cast literally grew up along with the action.
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Two prisoners in complete isolation, separated by the thick brick walls, and desperately in need of human contact, devise a most unusual kind of communication.
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A retired police sergeant has an unnatural stranglehold over his wife and daughter. His claustrophobically enclosed world is threatened when Santos finds herself pregnant and forced to marry a young man. Silayan attempts to extend his influence over his son-in-law, who resists; there is a confrontation…
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Stig is 15 years old and lives in neutral Sweden while the rest of the world is swept up in World War II. Like many other boys in his school, he’s in love with biology teacher Viola, but, unlike other boys, he secretly starts seeing her. Viola confesses to Stig that he provides her with much-needed comfort since her marriage to Kjell, a drunk, is falling apart. Their relationship grows complicated when Kjell discovers their affair.
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A Pole who spent time in an internment camp during the war on the Swiss-German border, visits the site many years later and recalls these days. He meets with other Poles confined in the same camp, including several women, in whose he had romantic interests.
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In the Bronx during the Depression, this crime drama centers on three Italian-American brothers and their family crime tradition. After Johnny is shot, volatile Chez and logical Ray are left to seek revenge on their brother. But the brothers begin to wonder if they can escape their criminal traditions.
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The traumatized survivors of a murderous bus hijacking come together and take a road trip to attempt to overcome their damaged selves. Meanwhile, a serial killer is on the loose.
