A juggler in a park opens his magic box and takes out 3 balls. The audience marvels at his dexterity, until one ball escapes. The mutinous ball takes on magical properties as it draws the juggler into a series of adventures with many levels of meaning: appearance, fantasy and love. Without words.
Tag: FHD
Peter is a good-natured but socially inept young man who is madly in love with Erica, the sweet and devastatingly sexy girl next door. Peter desperately wants Erica as his girlfriend, even though she already has a boyfriend, the large and humorless Nick . Eager to prove himself, Peter takes up the advice of Nonno, his batty grandfather, and literally camps out on her front lawn, willing to wait out the entire summer until she gives him a chance to prove that he can be the man of her dreams.
Wavelength is anything but simple, however, as Snow’s statement of intention suggests. He describes the film as “a summation of my nervous system, religious inklings and aesthetic ideas.” The spine of the film is its famous zoom from a fixed camera position facing a wall with four tall sash windows. Over the course of the film, the angle of view narrows until the frame is filled with a black and white photograph of waves pinned up between the middle two windows. Other features of the room, in which four events involving people take place, are sloughed off. The spectator is led to concentrate on this central element, the photograph—it has been there all along—until the image is washed out and the film comes to an end.
Winner of the Bronze Leopard at the Locarno Film Festival, Ozualdo R. Candeias masterpiece A OPÇÃO OU AS ROSAS DA ESTRADA combines masterful handheld documentary camerawork in black and white with staged action based on firsthand experiences to delve into the profoundly quotidian reality of a group of rural women who cut sugar cane and live modestly in ramshackle neighborhoods along the highway. Dreaming of a better life and with no other option than prostitution, many of them hit the road towards the big city, where new forms of exploitation awaits them.
When the atheistic ranting of Irish-American author James Mulcahy upsets the inhabitants of the Irish village to which he has retired, a mob threatens him. But moments after he has dared God to strike him dead, a stranger appears and does so. The man, dubbed “Johnny Nobody” by the press, claims no knowledge of Mulcahy or even of himself. He asks the help of the village priest, Father Carey, in his upcoming trial for Mulcahy’s murder. While the amnesiac Johnny goes to trial, Father Carey mulls questions of belief raised by the case. And then, the good father learns a little more about Johnny Nobody…
Tai Katô’s highly stylised & often-seedy tale of revenge is definitely not for the faint hearted! Five women sexually molest a 16-year-old delivery boy & drive him to suicide. Like Oshima’s Violence at Noon & Imamura’s Vengeance is Mine, this legendary exploitation film portrays the disturbing anatomy of a serial killer. Stars Makoto Satô as the revenge-driven killer who sets out to avenge his friend’s suicide by appointing himself judge, jury & executioner.
An open-hearted exploration of several fears: of the dark, old age, obesity, monsters and global destruction. Director Joanna Priestley gets across a series of personal phobias in a refreshing and humorous fashion. We get a superb, contemporary animated film with salutes to historical cartoon figures scattered throughout.
Francis and Blake Falls are Siamese twins who live in a neat little room in a rundown hotel. While sharing some organs, Blake is always fit and Francis is very sickly. Into their world comes a young lady, who turns their world upside down. She gets involved with Blake, and convinces the two to attend a Halloween party, where they can pass themselves off as wearing a costume. Eventually Francis becomes really ill, and they have to be separated.