Two eccentrics who have ended up in jail due to their inability to conform build a fantastical flying machine to flee their grey reality. At once a bizarre comedy with bite about two outsiders in some indeterminate place at some indeterminate time, a plea for the power of dream and a concealed critique of the system.
Tag: FHD
For generations, shepherds from villages high up in the mountains have been travelling with their vast sheep herds, moving them to distant pastures where they spend the long winter. Each of the villagers has a story to tell, intimated through flawless concision, while the film’s effortlessly fluid epic narrative is interwoven with lyrical passages, together creating a timeless cinematic poem about the primary values in life.
Stu and O.T. are two studs from the big city who arrive in Fort Lauderdale for spring break. They discover that the room they had reserved in an over crowded motel is already being occupied by Nelson and Adam, a pair of college nerds. With no other accommodations available, Nelson and Adam reluctantly agree to share the room with Stu and O.T., who promise to show them a good time. The wet-T-shirt contests and beer-guzzling-fun are threatened when Nelson’s controlling step-dad shows up, along with a building inspector who wants to shut down the motel.
A poor working girl goes to a ball and falls in love with the prince. Based on the famous European folk tale as told by Charles Perrault, with Russian verse by Genrikh Sapgir.
A poetic folk ballad set around the dramatic events of the Second Silesian Uprising of August 1920 – the story of the family of an old miner whose sons fight for the Polish identity of their land. The film does not reconstruct the course of the uprising – it recreates its atmosphere and creates a collective portrait of the Silesian people.
Together is set in London’s East End, with its bombsites, narrow streets, riversides, warehouses, markets and pubs. It follows two deaf-mute dockers who are completely cut-off from the outside world and are constantly pursued by groups of jeering children. Its modern depiction of everyday working-class life and its new approach to realism were inspired by Italian neo-realism and by the techniques used by Mazzetti’s Free Cinema friends.
Chronicle of the Years of Fire portrays Algeria’s struggle for independence from French colonial rule. The story follows a peasant’s migration from his drought-stricken village to his eventual participation with the Algerian resistance movement, just prior to the outbreak of the Algerian War of Independence.
Ibrahim Shaddad’s graduation film Jagdpartie, which he shot at the Deutsche Hochschule für Filmkunst Potsdam-Babelsberg, is a treatise on racism. Shot in a forest in Brandenburg, it uses the Western genre to portray a black farm worker pursued by a mob of white men. The film dramatizes working-class solidarity across the color line, signally achieved through shared labor, but culminates in the violent foreclosure of this common horizon.