Set in 1940s northern Mexico, this film re-tells the story of “The Lonely Hearts Killers”, a famous couple of murderers who made victims of lonely and wealthy widows in the USA. Coral is a rotund and passionate nurse who knows handsome gigolo Nicolas Estrella and falls for him immediately. Nicolas rejects her because she’s not rich, but Coral is determined to get him at any cost. She abandons her children and follows the man in spite of his way of living. Together they will scheme to swindle and murder women who look for love and companions writing letters to a sentimental courier.
Tag: FHD
A poor working girl goes to a ball and falls in love with the prince. Based on the famous European folk tale as told by Charles Perrault, with Russian verse by Genrikh Sapgir.
A poetic folk ballad set around the dramatic events of the Second Silesian Uprising of August 1920 – the story of the family of an old miner whose sons fight for the Polish identity of their land. The film does not reconstruct the course of the uprising – it recreates its atmosphere and creates a collective portrait of the Silesian people.
Together is set in London’s East End, with its bombsites, narrow streets, riversides, warehouses, markets and pubs. It follows two deaf-mute dockers who are completely cut-off from the outside world and are constantly pursued by groups of jeering children. Its modern depiction of everyday working-class life and its new approach to realism were inspired by Italian neo-realism and by the techniques used by Mazzetti’s Free Cinema friends.
Chronicle of the Years of Fire portrays Algeria’s struggle for independence from French colonial rule. The story follows a peasant’s migration from his drought-stricken village to his eventual participation with the Algerian resistance movement, just prior to the outbreak of the Algerian War of Independence.
Ibrahim Shaddad’s graduation film Jagdpartie, which he shot at the Deutsche Hochschule für Filmkunst Potsdam-Babelsberg, is a treatise on racism. Shot in a forest in Brandenburg, it uses the Western genre to portray a black farm worker pursued by a mob of white men. The film dramatizes working-class solidarity across the color line, signally achieved through shared labor, but culminates in the violent foreclosure of this common horizon.
Louise lives alone and seems to like it that way. She has been through a divorce and the recent death of her mother. Recently, she has moved to Annecy, a moderate-sized city, to take work as a schoolteacher. She encounters a much younger man, Luigi, an Italian who is down on his luck. Though he moved to France to find work, he was robbed of his money and papers and is stranded. When he helps her bury her dogs, which her neighbour has poisoned for barking, their relationship grows to a new level.
Louis Trebor, a man nearing 70, lives alone with dogs in the forest near the French-Swiss border. He has heart problems, seeks a transplant, and then goes in search of a son sired years before in Tahiti. Told elliptically, with few words, we see Louis as possibly heartless, ignoring a son who lives nearby who is himself an attentive father to two young children, one named for Louis. He leaves his bed one night – and his lover – to kill an intruder; he dreams, usually of violence. Will his body accept his heart? Will his son accept his offer?