Henry Adler lives in Ontario by himself, regularly visits his gruff and critical father, and works in a bank; he’s also an actor. He finds new purpose in life when he’s cast as a cop in a realistic TV show. He gets into the part, borrowing the uniform from wardrobe, and walking around the city streets. Soon he’s talking to bank customers as if he’s a cop; this gets him in trouble with his boss, but Henry doesn’t care. He falls for one of the actresses, Charlie, and they practice together. Henry’s quirks and his intensity creep her out, though, and she breaks off all contact. He’s desolate. Things come to a head when one of LA’s finest mistakes Henry for a real cop.
Tag: 1990s
Cosmo, an affectless mob bookie who lives in the basement of a retirement home, is promoted to hitman. He learns his new trade from Steve, a seasoned killer. He falls in love with a yoga teacher, Jasmine, and must figure out a way to leave the mob so they can be together.
Satire about life in Cuba. The members of a funeral procession and some truckdrivers who have to take the same route begin to talk about god and the world ending up in discovering that life for both groups has many similarities as well as a lot of differences depending on the point of view.
VITO AND THE OTHERS is the groundbreaking film which drew international attention to the problem of neglected youth and street crime in poverty-stricken Naples. The film’s opening moments are startling and deeply disturbing. A despairing Rosario has just murdered his wife and daughter at the dinner table on New Year’s Eve. Somehow, Vito quietly convinces his father to drop the gun, spare their lives and call the police. Placed in the custody of sexually abusive relatives, Vito is left free to roam the trash-strewn back streets of Naples where he and his friends engage in drug abuse, prostitution and petty crime.
Set sometime in the near future in an Ireland free of British rule, two ruling gangs come together over the abduction and death of several small boys. The most recent occurrence, the drowning of Luke Bradley’s son, seems to point to a man known as The Preacher. Once his guilt is decided, the gangs offer Bradley the chance to take his revenge, and kill The Preacher.
‘The Cardinal and the Corpse’ (or ‘A Funny Night Out’) marks the beginning of Petit’s loose partnership with writer Iain Sinclair. There’s a nod towards narrative here involving a book-search launched by graphic novelist Alan Moore and a dealer (the dapper but barking Driffield), but it’s little more than an excuse to showcase a number of authors and other miscreants.
When a gruesome bikini killer claims the life of a detective’s fiance, the grieving cop is possessed with revenge. It’s just a matter of time before he meets up with his prey and extracts that revenge.
Pierre, a middle-aged tourist guide, is the victim of a sudden failure: he does not recognize anything about him any longer. He goes back home and in his apartment he finds a mysterious young man who tells him he is here to avenge a young woman who has taken her own life. What share of responsibility does Pierre hold in this situation?