This is a film about a man without a face. His arms and legs, bound with ropes, the disabled man is still without even a shudder in a white room. A series of unusual scenes in this room expresses what lies between memories, nightmares, and violent images.
Tag: 1990s
In Six O’Clock News, Ross McElwee pursues murder, mayhem and catastrophe the same way he pursued southern women in Sherman’s March. Made after McElwee becomes a father and finds himself at home watching a lot more TV, he becomes obsessed with the nightly tales of calamity reported on by the local news. This fascination soon turns into another cross country journey to unearth the full stories of those affected. As McElwee pursues this project he also finds himself in Hollywood preparing to direct a feature based on a fictional character much like himself.
——UPGRADED——
A man who has just embezzled money from his company is driving through the Nevada desert. He picks up a pretty girl and her seemingly goofy boyfriend. The girl is a Las Vegas showgirl and the boyfriend turns out to be a professional killer, and he has no intention of letting the motorist finish the trip.
A group of aimless Taipei residents deal with their personal problems in this Taiwanese drama that does feature brief flashes of black humor. Much of the story centers upon lonely Mrs. Chen who has trouble coping with her philandering husband, and nearly senile mother-in-law.
David takes his autistic child to a new therapy center and meets Dr. Rachel Lindsey. Their chemistry results in an affair that doesn’t help her already-shaky marriage.
Set in Antwerp, Belgium in the early 70s, Left Luggage tells the story of Chaja, an impetuous, liberal-minded philosophy student. She has a complex relationship with her parents, who both survived the Nazi concentration camps. She needs money so she gets a job as a nanny for a Hassidic Jewish family whose world is completely alien to her liberated lifestyle. She becomes close to their son and through this relationship learns about the lives of her own parents.
Comedy shot without a script on Super-8mm as a silent film, with intertitles later inserted between scenes. What unfolds is a familiar Achternbusch tale in which the protagonist (here his alter-ego, Hick) is driven by a mad longing and becomes irretrievably lost. Unable to meet the demands of the workaday world, Hick wanders alone through the city and, as in many of Achternbusch’s films, enters an intermediate realm in which the dead interact with the living: he encounters and falls in love with a mummy, searches for an Egyptian queen, and stalks the inner regions of the hereafter, which lie in the middle of Munich.
In this scathing and subversive social comedy, life in post riot Los Angeles is dissected under the sardonic eye of John Boyz, an unemployed thirty nothing flounderer on Venice Beach who is trying to figure out what to do with his life. John can’t be bothered with apathy, but no matter how much he wants to help people, he is too immobilized to do anything useful. Haunted by chronic insomnia and impending sense of doom, all he can do is watch, and John is an avid observer.