Mario Dante is a crime boss in the mafia. He inherits a mob of his own, when his nephews and niece have to come and live with him. Along with Alice his girlfriend, they stumble through mishaps and learn to love each other.
Tag: 1990s
A two-part collection of mostly European T.V. commercials directed by a variety of well-known directors from across Europe and the U.S. Compiled and produced by Jean-Marie Boursicot.
In the small fishing towns of Ghana the photographer’s studio is the place to go and get “snapped”. Here you can wear the latest fashion or pose in a grand setting with a long lost friend. So everybody will remember you at your best and later the photograph might be used to help create a cement tomb sculpture or a life-size painting on your grave. The studio is an essential part of people’s life and reputation.
Using rear-screen process plates from classic Warner Bros. film noirs, a young man (in color) searches for his past through black-and-white scenes from classic Hollywood movies like “The Big Sleep,” “Mildred Pierce,” and “Strangers on a Train”. Filmmaker Mark Rappaport evocatively plays with the themes of noir while contemporizing the stakes involved by utilizing extensive rear projection to remarkable effect (actors — in color — against black-and-white backgrounds photographed in high definition).
A compelling examination of the lives of three artists forced to work in secret while living in Nazi death camps during WWII: Jan Komski, Dinah Gottliebova, and Felix Nussbaum, who more than fifty years ago witnessed and painted the horrors of the Holocaust.
The true story of Stephanie Slater, a British estate agent who was kidnapped, raped, and held for ransom by Michael Sams, who imprisoned her in a coffin-like box for eight days.
They’re back, and they’re one louder. Spinal Tap return with this feature-length ‘rockumentary’, in which the band members – Nigel Tufnel, David St Hubbins and Derek Smalls – reveal where they are now, and take us back to where it all began; Squatney, London. Also on hand are familiar faces from the band’s past, Marty Di Bergi, Artie Fufkin and Jeanine, founder and owner of itchy Irish clothing shop Potato Republic.
A Greek-American filmmaker, known simply as «A», returns to his hometown in northern Greece for a screening of his latest controversial film. His real reason for coming back, however, is to track down three long-missing reels of film by Greece’s pioneering Manakia brothers who in the early years of cinema traveled through the Balkans, ignoring national and ethnic strife and recording ordinary people, especially craftsmen, on film. Their images, he believes, hold the key to lost innocence and essential truth, to an understanding of Balkan history.
