1976 marks the beginning of Beirut’s calvary. With a child’s eyes the filmmaker follows for six months the daily destruction of the city’s walls. Every morning, between 6 and 10am she roams around Beirut while the militia from both sides rest from their night of fighting.
Tag: 1970s
Set during the first period of independence for Latvia (1918–1940), the film’s plot revolves around a shrewd business man Edgars Ceplis, who establishes a clay brick business with the aim of exporting and building on his already considerable wealth. At first a fantastic success he soon becomes aware that his empire is crumbling beneath him due to a contamination of the clay, which makes the bricks unstable. He narrowly escapes defeat, however, by manipulating those around him, successfully extracting himself from the business before anyone discovers that there is anything wrong and the company collapses under a new director.
A satirical parable about civilization, rush and frantic speed, human flight from the natural environment and the pace of modern life. With increasing speed, the camera furiously races through forests, fields, rivers, farms, and buildings, finally losing control when it reaches the city. Zbigniew Rybczyński’s graduation film.
A timid night-school teacher becomes the world’s first pregnant man after a one-night stand, sparking a whirlwind of media attention, political panic, and increasingly absurd situations as he struggles to navigate fame, love, and impending fatherhood.
A kaleidoscopic journey through Budapest over the course of a single Sunday, where ordinary moments—work, family gatherings, public parks, bars, and nightlife—become fragments of a larger portrait of everyday life. Eschewing traditional storytelling, András Jeles transforms the city’s routines into an experimental visual poem.
ÍGY FOG LEPEREGNI (This is How it Will Play Out) centers on the confession of a woman imprisoned for murder. As she recounts the events leading to her crime, the film moves beyond the details of the case to become a stark examination of justice, responsibility, and the hidden mechanisms of institutional power.
Twenty-year-old Laszlo Sz., a driver’s mate, steals the money he was supposed to post and spends the day wandering around Budapest, visiting bars, restaurants, pinball parlors, and various other places in search of something different and meaningful.
On March 8, 1979, in solidarity with Iranian women demonstrating against the emerging theocratic dictatorship, a team of women from the French Women’s Liberation Movement (MLF) traveled to Tehran to support them and, by making a film, ensure that a record of their struggle would be disseminated and preserved. This film was conceived, experienced, shot, and edited with Iranian women in the struggle.