Bella, a sensitive and clever girl, experiences her first disillusionment at the school graduation ball. The following morning, she meets Apostol, a middle-aged man, architect, and former participant in the anti-fascist struggle. He reveals to her his views on life. He introduces her to Bufo, a younger person, and a failure as an actor although possessing “the talent of a friend”. Thus the trio is formed. Bella marries Bufo, though Apostol remains the man and person whom she would have desired to meet in her lifetime.
Tag: 1970s
The film depicts the attempts of an idealistic teacher, Miss MacMichael, to inspire her pupils in an inner-city London school. While trying to help the teens she works with, she also must fight the ultra authoritarian headmaster, Mr Sutton.
Jess Franco regular Adrian Hoven directs, and future ‘Blade Runner’ star Rutger Hauer plays a disaffected sailor turned hard drinking womaniser. Quite a few lovelies appear alongside Hauer (most of whom he beds), including the foxy Dagmar Lassander (‘Forbidden Photos Of A Lady Above Suspicion’) and Shirley Corrigan (‘The Devil’s Nightmare’). Rutger returns home from six months at sea to find his wife, whom he was deeply in love, has unexpectedly left him and is now a junkie whore. Devastated, he tries to ease his pain with booze and cheap thrills.
A re-enactment of one of the biggest frauds of all time. In 1969, the Equity Funding Corporation of America lacked the facts to make an accurate profit forecast because of computer troubles. They made a guess – two million dollars too optimistic. So two young executives fed fictitious insurance polices in the computer – all prefixed “99” so that they could easily be cancelled when the temporary loan was paid off. But the temptation to escalate the fraud became irresistible.
The fauna of the megalopolis, the jungle of the supermarket, the bedlam of brothels and bars, the effect of the bars in the fog, the swaying ears of corn, the swaying of men hanging from the gallows, the ripple of water – seen by the eye of the animator in harmony and conflict and accompanied by the satirical, mocking, but sometimes pure lyrical music of Erik Satie.
A freewheeling cinematic experience, this film is the work of two filmmakers who relate their perceptions of each other through their respective animation techniques. Images and words are paired in startling associations. Each does a visual portrait of the other, based on characteristic gestures and impressions. A combination of techniques and materials produces a film of rich visual texture shaped by the hands and heads of two very different people.
Produced in the 1970s, and at the time dubbed “The greatest wildlife film ever” by the BBC, this dramatic film records the struggle in Kenya’s Tsavo National Park to protect elephants from bow and arrow hunters supplying a rampant international ivory trade…. The film follows Tsavo’s warden, the late David Sheldrick, and his ranger force in their daily fight against armed poachers intent on wiping out Tsavo’s magnificent elephant herds and its dwindling population of Black Rhinos. We also follow the story of the baby elephants, rhino and other animals that have been orphaned due to poaching, and watch them as they are hand-reared and eventually return to the wild.
The lyric passage of a Monarch butterfly, beginning with its birth, through its delicate metamorphosis from caterpillar to butterfly and on its journey from country to city. From the first frame, the audience experiences the tension of this perilous flight as numerous adversaries, threaten the butterfly’s freedom.