James Russo stars as an American teacher in Rome who falls for the beautiful Bianca and enters into a torrid affair made even more frenzied when she buys him an expensive leather belt… she wants to be whipped with. Based on the novel by Alberto Moravia.
rarefilmm | The Cave of Forgotten Films Posts
Bobby is about to abandon Tessa, but in a suicidal panic she persuades him to stay one last night and reenact the good old times in front of a video camera for posterity.
Rarely has a film exploded onto cinema screens with such a joyful splash of colour and rhythm as A Colour Box. Made as a commercial for the General Post Office, New Zealand born Len Lye painted directly onto the film strip, synchronising his dynamic shapes and squiggles with an upbeat rumba track. The film captured the heart of audiences on its release in 1935 and continues to do so today.
The true to life story of one of Hollywood’s top stuntmen, as well as some of the most spectacular stunts ever filmed. “Fall Guy” follows the life and times of legendary stunt man and director, John Stewart.
Having been adopted by the madam of a southwestern brothel, a now adult Adrian must cope with the fact that he’s Satan’s kid, and not living up to his expectations. Sequel to Roman Polanski’s 1968 film but unlike the original, this one has little connection with the novel the first film was based on.
An assembly of women of all generations gather inside a school of Tehran to take an exam that will lead them to the university. Their conversations reveal their daily problems.
Carlos, a former factory worker of humble origins, has made millions – but the upper class refuses to accept him as one of their own. Meanwhile, Barbara, the spoiled daughter of an industrialist, is to enter into a loveless marriage of convenience. Tensions arise when the two fall madly in love.
Unrivaled among silent-film adaptations of Charles Dickens novels are the four epic Danish features for Nordisk Films by its leading director, A.W. Sandberg: Our Mutual Friend (1921), Great Expectations (1922), David Copperfield (1922), and Little Dorrit (1923). The most visually spectacular is Our Mutual Friend, from Dickens’s last completed novel (1864-65), combining a comic satire about greed with a dark mystery that opens as a corpse floats in the Thames. Shot in 1918—the delayed release apparently due to disputes between Sandberg and Nordisk over the film’s ambition and length—its two parts survive only with significant missing footage in the second half, but it still runs almost two-and-a-half hours. Available for the first time with English subtitles that draw on Dickens’s phrasing and with new text screens to fill in missing story information, the forgotten film proves to be one of the great silent literary adaptations.