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A split screen shows two tightly synchronized, “impossible” shots of the same scene: a moving POV camera showing what the central character is looking at, and a stationary wide shot, both framing the entire action simultaneously. The deliberate positioning of the static, detached view above the erratic, close-up subjective POV of the central character lends an uneasy feeling to it. At the start of the film, we see the central character’s dream before he wakes up and comes out onto his balcony in the top screen (the bottom screen becomes his POV looking out the window, in sync with the top view.) Set in West Vancouver, BC.
rarefilmm | The Cave of Forgotten Films Posts
The female Moroccan musicians known as sheikhates sing about the realities of life – about the land, nature, wars, mountains, crises and, of course, they sing about love. In short, their music represents the heritage of Morocco. Director Ali Essafi offers a marvelous portrait of the daily lives of these regional folk singers, exploring how their music has evolved over the years – along with society’s acceptance of the women who perform this music in public. SHEIKHATES BLUES features interviews with many of the popular musicians of today, who perform a number of their wonderful songs, and culminates with a colorful sheikhates performance at the Rabat Music Festival of 2003.
Georges Menessier, a 45-year-old celebrity press writer, smuggles into a mental hospital to take pictures of…his ex-wife Clara Noël, once a great film star now confined to this clinic for alcoholism and nervous trouble. Once inside the place he meets Clo, a beautiful twenty-year-old woman, another inmate. They fall in love but madness is synonymous with tragedy not happiness…
When Max dies in an accident, he goes straight to hell. But the devil Barney makes him an offer: if he manages to get three innocent youths to sell him their souls in the next two months, he may stay on earth. Max accepts and returns to earth, equipped with special powers. However, his task is harder than expected, especially when 7-year-old Tobi demands that he marry his mother.
Hollywood legend Shirley Maclaine sings, dances and does commentary on the times in this speculative look forward at the United States’ next 200 years. Her guests are Jimmie Walker, Don Rickles, Bob Hope, Dean Martin, Jimmy Stewart, and Orson Welles.
This film is a playful depiction of the festivities around the performance If All Trains of the World by Alex Mlynárčik on June 12, 1971. Still photography, live action, interviews, old etchings and archive footage of old train journeys are skilfully blended to create a sympathetic and humorous portrait of the romance of an old steam train and the joy of artists and the general public in participating in this children’s game for adults. Once again, the avant-garde is imaginatively used to eulogise over traditional values and the past. Deň radosti is important not just for the considerable pleasure it brings; it is the first of a series of films in which artists use film to document happenings.
Struggling actress accepts high paying job to play a rich heiress committed in a lunatic asylum, not knowing she’s really being set up as a surrogate for the real girl who’d been murdered.
In 1969 Palestinian Leila Khaled made history by becoming the first woman to hijack an airplane. As a Palestinian child growing up in Sweden, filmmaker Lina Makboul admired Khaled for her bold actions; as an adult, she began asking complex questions about the legacy created by her childhood hero. This fascinating documentary is at once a portrait of Khaled, an exploration of the filmmaker’s own understanding of her Palestinian identity, and complex examination of the nebulous dichotomy between ‘terrorist’ and ‘freedom fighter’.