In 1969 Palestinian Leila Khaled made history by becoming the first woman to hijack an airplane. As a Palestinian child growing up in Sweden, filmmaker Lina Makboul admired Khaled for her bold actions; as an adult, she began asking complex questions about the legacy created by her childhood hero. This fascinating documentary is at once a portrait of Khaled, an exploration of the filmmaker’s own understanding of her Palestinian identity, and complex examination of the nebulous dichotomy between ‘terrorist’ and ‘freedom fighter’.
rarefilmm | The Cave of Forgotten Films Posts
Based on the famous fairy tale by Hans Christian Andersen, this adaptation is fairly faithful to the original. Portraying the sinister tones of old fairy tales in a dream-like or theatrical style, this surreal film focuses mainly on the young girl Kerttu’s journey to rescue her brother Kai from the evil Snow Queen. Kerttu travels through beautiful and hostile lands, meeting various strange and threatening characters on the way – befriended and helped by some, waylaid and trapped by others. In the classic style of such tales her journey is episodic, punctuated with scenes of events unfolding at the Snow Queen’s palace.
An orphan girl chooses an old book from a box of donated charity items. In this book, she reads a story that she makes her own. When she collides with an old man, the story comes to life…
“There is a World in one of those far off stars sand things do not happen there as they happen here”. A love story with a twist, set on a distant planet.
An American Vietnam serviceman arrives on a 5 day R&R leave in Sydney. He meets a local girl and they enjoy their short time together.
Horror, but with a comedic twist? Tadeusz Wilkosz decided to tell the story of abandoned objects from the attic. The titular sack goes on a rampage of destruction and begins to devour the numerous junks gathered there. Will the red beast devour all the things scattered in the attic? Puppet animation made at the Studio Małych Form Filmowych “Se-Ma-For” in Łódź.
The least known massively influential person in international cinema, Pierre Rissient is a samurai warrior on behalf of the films he believes in. Instigator of the Cercle MacMahon, assistant director on “Breathless,” champion of blacklisted filmmakers, confidant of Ford and Walsh, Hawks and Lang, Pierre was the first to detect the potential of Clint Eastwood, director, brought Chinese cinema to Cannes with “Touch of Zen,” discovered Jane Campion and has been a key behind-the-scenes figure in Cannes for more than forty years; he is also the only person who can circulate freely in the Palais du Festival at all hours in a t-shirt. In this film, surrounded by those he has promoted through the years, Pierre Rissient himself finally moves into the spotlight.