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Satyajit Ray’s short film Two shows an encounter between a child of a rich family and a street child, through the rich kid’s window. The film is made without any dialogue and displays attempts of One-upmanship between kids in their successive display of their toys. The film portrays the childlike rivalry with the help of world of noise and that of music.
Category: Short
A movie buff desperately wants to enter a theater to see a Fassbinder film but the doorman will not let him go because he has no ticket. The film is the confrontation between the two that ends with happy end.
Clepsydra is an ancient Greek water clock (literally, “to steal water”). This film envisions the strip of celluloid going vertically through a projector as a sprocketed waterfall (random events measured in discreet units of time), through which the silent dreams of a young girl can barely be heard under the din of an irresistible torrent, an irreversible torment.
Images from an aerial tram leaving Manhattan are followed by images of a nearly static bird, of bugs fighting, and of light bending as it passes through glass. Near the film’s end the tram lands in Manhattan, as if it had reversed direction; as in all of Julie Murray’s films, the images and the editing can pull several ways at once. There are no absolutes, and even the light by which we see is altered by the material it passes through.
A poor church photographer wanders into the harsh realities of life in the city of old Manila. His camera is stolen by a kid. He encounters intimidation in his search for the kid and goes through other misadventures.
Vera thinks she’s witnessed a man decapitating his wife. Actually, she’s only seen magician Bluebeard the Great rehearsing his act. Still convinced that the magician is a killer, Vera goes through all sorts of comic agony when she is forced to share the same train compartment with Bluebeard (who doesn’t help matters when he offers her a sandwich consisting of “scrambled brains and tongue”).
A man who lives by himself becomes increasingly concerned that he is not alone. Based on the short story by Guy de Maupassant.
Bahman Kiarostami’s charming documentary about mourners-for-hire who are called upon to attend funerals in Iran. With an understated, lighthearted style, Tabaki provides a fascinating view of a peculiar occupation within this religious culture, offering, in the process, an insightful portrait of the society as a whole.