Revolutionary French New Wave director Jean-Luc Godard conducts a twenty-five minute interview with influential and acclaimed American director Woody Allen on the cultural radiation, the ubiquity and significance of television, and how television compares with cinema as a medium and form of expression.
Category: Short
Krzysztof Kieślowski unmasks the prototype of the informer and opportunist (in a totalitarian society) exclusively from the latter’s own perspective. Even the commentary is by the ambivalent protagonist. Kieślowski later kept the film under lock and key in order not to harm his protagonist.
Follows contemporary American poet James Dickey on a three week lecture tour. Reveals the actual thoughts and feelings of the poet through his conversations and poetry readings.
Set inside a “Quake” like video game, one of the game’s cannon-fodder grunts falls for the Lara Croft-inspired heroine and, in a constantly looping game level, tries time and again to catch her attention before she can “chain gun” him.
A harshly sensual world in the fiery inferno of Hell. Big-breasted tailed demoness & demons whose tails are phalluses strut, rut, reproduce, nurse, & generally show off amindst the flames. An angelic prostitute confronts God.
Ondine and Sally Dixon “star” as ecstatic 19th-century lovers in Roger Jacoby’s first home-processed film. Nickelodeon imagery, school children of Pittsburgh, and the Pittsburgh Botanical Conservatory.
‘Nancy Franklin’ was so overwhelmed by the film I Know Where I’m Going! (1945) that she traveled from New York to the Western Isles of Scotland to see the places where it was made and to find out more about the people who made it. This documentary retraces her steps on a subsequent visit.
Non-narrated treatment of the activities carried out in an abattoir. An unlikely subject for a documentary, but the filmmaker captures the strength and terrible beauty in the daily preparation for slaughter. The sound track echoes with hard metallic knives being ground, tested and sharpened. No beast is actually shown being killed but the slaughter is mirrored in the blood-red faces of the men and the scenes of water flushing away the blood to a river – thus water purges but never really cleans the walls of the slaughter house. A powerful film – almost abstract at times. Perhaps even more effective because of what it leaves unsaid and unshown.