The day that Pier Paolo Pasolini was killed, Glauber Rocha decided to make this film about the life of Christ in the Third World. Starting from a dialectical synthesis between capitalism and socialism, and a search of interracial relationships in Brazil, Rocha created a work of religious and prophetic tone that results in a kind of bewilderment contemplative, now lyrical, now frantic, soaked in a new messianism. In his last film, the director proposed a tune of sounds and images that build a picture of Brazil and a portrait of himself.
Category: Fantasy
A young American man comes to believe that he can will himself back to London in the time of the American Revolution and meet his ancestors, who lived in the house he has just inherited.
Mani Kaul’s film was funded by the Film Finance Corporation and an independent multi-arts co-operation led by noted painter Akbar Padamsee. Derived from a Rajasthani folk tale, it tells of a merchant’s son who returns home with his new wife only to be sent away on family business. A ghost witnesses the brides’ arrival and falls in love with her. He takes on the absent husband’s form an lives with her. She has his child, which becomes a problem when the real husband returns home. The film focusses on the wife’s life and dispenses with almost any dialogue developing the characters through parallel, historically uneven or even contradictory narratives.
Frac, a mime who is suffering from a severe bout of depression, happens to meet a troupe of circus entertainers and immediately falls in love with one of the stars, Giulietta. But while his affection for Giulietta and admiration for the performers gives him a new lease on life, Giulietta’s father, the leader of the troupe, opposes the relationship and is determined to keep them apart. Meanwhile, Frac and Giulietta discover a gang of children who are held prisoner by a criminal leader who forces them to do his bidding, and they devise a plan to win the kids their freedom.
Yuu Kamiya is an up-and-coming talent in Japanese show business. She is killed in a traffic accident. On the way to heaven, she gets a chance to transiently restore her body (to which mirrors and photos are insensitive) and comes back to this world. She starts new life as an average girl.
This satirical fantasy is based upon an Elmer Rice play from 1923. A hard-working office employee is rewarded for his years of slavish devotion to the company by getting fired just prior to retirement and being replaced with an adding machine. Now, with only his nagging wife waiting at home to add more misery to his dreary life, the man has nothing left and goes over the edge.
A security company conjures up fake computer-generated “ghosts” so they can buy abandoned property at below-market value at auctions. However, a mysterious couple appear out of seemingly nowhere to thwart the company’s plans.
A landmark in African cinema, Souleymane Cissé’s film is set in the Malian empire of the 13th century and depicts the quest of a young son across the West African landscape to confront his father, a tyrannical magician. Although the film’s mythic narrative and arresting visual style lend it universal appeal, Yeelen’s use of Bambara, Fulani, and Dogon languages and its representation of power struggles across generations have been interpreted as a commentary on Malian politics of the postcolonial era.