This television essay from 1985 was written by Leonard Bernstein to commemorate the 125th anniversary of Gustav Mahler’s birth. Recorded in Israel, Vienna and later in London, it is punctuated by biographical interludes and illustrated by musical examples drawn from the cycle of Mahler’s works recorded by Bernstein. Bernstein talks, plays and conducts various orchestras (Israel Philharmonic Orchestra, London Philharmonic Orchestra, Wiener Philharmoniker) and soloists (Janet Baker, Christa Ludwig, Edith Mathis, Lucia Popp, Walton Groenroos) in performances spanning 17 years.
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Dr. Carol Evans, a physician who recently conspired with her lover Gus to kill her rich husband for his inheritance, finds herself being blackmailed by him for a share of the money. Carol seduces Brian, a young motorcycle-accident patient of hers, in the hope that he’ll help her kill Gus. When Gus is killed in a struggle, Carol coerces him into hiding the body, but finds herself being investigated by Brian’s friend David, an amateur sleuth, who has always believed her to be a murderer.
Dramatisation of the Bakiga people’s attempt to cultivate the Kigezi district of Uganda, region inhabited by Pygmies. Jonathan, educated clerk, son of the village’s chief, goes along with other men’s of the village to build the new farms. Injured in a movement of buffaloes, he is helped by some Pygmies villagers with who he becomes friends. When returning to his people’s settlement, his peers don’t see these new acquaintances in a favorable light.
Daniel Thatcher is an American sergeant serving with a British tank corps in North Africa. He and most of his unit are captured by the Germans, who learn his identity as a man who once tried to assassinate Josef Goebbels, Hitler’s right-hand man. Thatcher’s wife was killed in the concentration camps, and now, after his failed attempt to kill the Nazi leader, Thatcher is a real prize for his captors. But Thatcher prefers not to go back to Germany as a prize, so he leads his fellow tankers in an escape attempt.
Interweaving poetry, painting, photography, music and sculpture, this feature documentary is an innovative look at the lives and work of Canadian men and women artists of Italian origin. Broaching issues of identity and culture, the film explores the relationship between the immigrant experience and the creative process.
After five years working with Roger Corman, Jonathan Demme moved to Paramount to make Citizens Band, a charming ensemble comedy following a disparate group of characters who communicate across the airwaves. A huge influence on Paul Thomas Anderson, the film’s empathy for the outsiders and eccentrics who would characterise Demme’s later work is clearly evident here. And the cast, including Le Mat as a CB vigilante and Napier as a bigamist trucker, is terrific. A prescient study of human behaviour that resonates in our social media era, Citizens Band’s box-office failure left Demme fearing his career was over, but it can now be seen as the moment he found his distinctive voice.
Montmartre, 1896: the Can-Can, the dance in which the women lift their skirts, is forbidden. Nevertheless, Simone has it performed every day in her nightclub. Her employees use their female charms to let the representatives of law enforcement look the other way – and even attend the shows. Then the young ambitious judge Philippe Forrestier decides to bring this to an end. Will Simone manage to twist him round her little finger too? Her boyfriend, Francois, certainly doesn’t like to watch her trying.
The lives of Dashiell Hammett and Lillian Hellman are set against the golden era of Hollywood, HUAC and the issue of McCarthyism of the 1950s. This intimate look at the lives of two of this century’s literary titans follows their tumultuous affair, drinking bouts, career highs and lows, and activities in support of left-wing causes including Hammett’s public avowal of Communism and his membership in the Communist Party and Hellman’s sympathies for the Stalinist regime in the Soviet Union before World War II.