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After a sojourn in Mexico, undergrad Gnossos Pappadopoulis comes back to his college where, at the close of the 1950s, he partakes in the staples of the burgeoning counterculture movement: drugs, casual sex and radical politics. After Gnossos thumbs his nose at everything from the campus fraternities to the ideas espoused by his professors, he decides to leave school and head for Cuba with a friend. There, he once again struggles with the excesses of his hippie lifestyle.
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Hanna’s War is the true story of Hanna Senesh, a Hungarian-Jewish WW2 resistance fighter, who would become Israel’s “Joan of Arc”. As a young person, she fled Nazi-occupied Hungary for Palestine, where she was recruited and trained by the British to serve as a commando. After completing her training in Britain, she parachutes into Yugoslavia with a commando team to establish escape routes across the Hungarian-Yugoslavian border for downed British pilots. Her attempts to save Hungarian Jews in Nazi-occupied Hungary, however, leads to her capture, torture and demise at the hands of the Gestapo and the Nazi-controlled Hungarian police.
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On Christmas Eve in the Spanish quarter of L.A. police try to arrest a couple running a shady floor show. Hiding in a church, the girl finds an abandoned baby and uses it as cover to escape capture. Thus she finds herself with a baby she is becoming ever more fond of, a helpful doctor himself too fond of the bottle, and a husband who has disappeared. Dare she try and change her ways and keep the child?
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The Man Who Envied Women wryly chronicles the aftermath of a breakup between a philandering professor, played by two different actors, and his artist wife, voiced by choreographer Trisha Brown, who serves as the largely unseen narrator. Yet the work’s concerns radiate far beyond the couple, expanding to include film history and on-the-ground politics alike—punctuating the piece are a variety of cinematic quotations, from Hollis Frampton to Barbara Stanwyck, as well as documentary footage of spirited exchanges about American imperialism in Latin America and the housing crisis in New York.
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Yvonne Rainer’s landmark film is a meditation on ambivalence that plays with cliché and the conventions of soap opera while telling the story of a woman whose sexual dissatisfaction masks an enormous anger.
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Period drama set in Montreal in 1925. Tells the story of a six-year-old boy, David, his grandfather, a horse called Ferdeleh and the comic-tragic ambitions of the boy’s father who wants to become a rich man.
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Two sisters, Amanda, 11, and Laurel, 16, run away from their different foster parents, sleeping in model homes, or wherever they can. But when Laurel becomes pregnant, they find they can’t make it through this crisis on their own. With nowhere else to turn, they decide to kidnap Elaine, a clerk in a baby supply store. But Elaine seems to need Manny and Lo just as much as they need her.
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This film, set in Florida in the 1930s, involves an independent woman who marries a charming but wastrelly man much younger than herself. She tries to maintain equilibrium in the relationship despite her husband’s obvious preoccupation with the “gal young’un” who works as their housekeeper.
