While on a train, a teenage boy thinks about his life and the flamboyant aunt whose friendship acted as an emotional shield from his troubled family. This film evokes the haunting quality of memory while creating a heartfelt portrait of a boy’s life in a rural 1940s Southern town.
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After five years working with Roger Corman, Jonathan Demme moved to Paramount to make Citizens Band, a charming ensemble comedy following a disparate group of characters who communicate across the airwaves. A huge influence on Paul Thomas Anderson, the film’s empathy for the outsiders and eccentrics who would characterise Demme’s later work is clearly evident here. And the cast, including Le Mat as a CB vigilante and Napier as a bigamist trucker, is terrific. A prescient study of human behaviour that resonates in our social media era, Citizens Band’s box-office failure left Demme fearing his career was over, but it can now be seen as the moment he found his distinctive voice.
Montmartre, 1896: the Can-Can, the dance in which the women lift their skirts, is forbidden. Nevertheless, Simone has it performed every day in her nightclub. Her employees use their female charms to let the representatives of law enforcement look the other way – and even attend the shows. Then the young ambitious judge Philippe Forrestier decides to bring this to an end. Will Simone manage to twist him round her little finger too? Her boyfriend, Francois, certainly doesn’t like to watch her trying.
The lives of Dashiell Hammett and Lillian Hellman are set against the golden era of Hollywood, HUAC and the issue of McCarthyism of the 1950s. This intimate look at the lives of two of this century’s literary titans follows their tumultuous affair, drinking bouts, career highs and lows, and activities in support of left-wing causes including Hammett’s public avowal of Communism and his membership in the Communist Party and Hellman’s sympathies for the Stalinist regime in the Soviet Union before World War II.
In Istanbul, American writer James Baldwin muses about race, the American fascination with sexuality, insights into his interrupted writing decade in the country, the generosity of the Turks, and how being in another country, in another place, forces one to re-examine well-established attitudes about modern society.
Bruce LaBruce teams up with photographer Rick Castro in a wild re-imagining of Sunset Boulevard, set in 90’s Santa Monica. Anthropologist Jurgen Anger heads to LA to research hustling as a social phenomenon, but after spotting angel-faced hustler Montgomery Ward, he falls hopelessly in love.
A look at the lives of several struggling L.A. musicians. Gwen, a singer-songwriter, is on a quest for the big-time. Working as an assistant to a film production designer, Gwen tries to steal her boss’ boyfriend, a veteran rock producer. The producer, meanwhile, is trying to orchestrate a comeback for an ’80s band.
Adapted from an Appalachian Jack Tale set in the late 1940s, this tale follows a World War II veteran named Jack who, in return for an act of kindness, receives two magical gifts: a sack that can catch anything and a jar that can show whether a sick person will recover or die. Jack becomes a national hero when he rescues the president’s daughter from a serious illness by capturing Death in his magic sack. However, after many years without Death in the world, Jack realizes that he has upset the natural order and releases Death to save humankind from perpetual old age and misery.
