Montmartre, 1896: the Can-Can, the dance in which the women lift their skirts, is forbidden. Nevertheless, Simone has it performed every day in her nightclub. Her employees use their female charms to let the representatives of law enforcement look the other way – and even attend the shows. Then the young ambitious judge Philippe Forrestier decides to bring this to an end. Will Simone manage to twist him round her little finger too? Her boyfriend, Francois, certainly doesn’t like to watch her trying.
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White-collar worker Yamashita finds out that his wife has a lover visiting her when he’s away, suddenly returns home and kills her. After eight years in prison, he returns to live in a small village, opens a barber shop (he was trained as a barber in prison) and talks almost to no-one except for the eel he “befriended” in prison. One day he finds the unconscious body of Keiko, who attempted suicide and reminds him of his wife. She starts to work at his shop, but he doesn’t let her become close to him.
In this remake of the 1973 horror hit “The Exorcist”, a 12 year old girl named Gul, living with her mother in a cozy, high society life in Istambul becomes possessed by the Satan himself through a Ouija board and a troubled psychiatrist and an experienced exorcist become the girl’s only hope for salvation.
Too fast a pace of life in overcrowded, noisy and polluted cities make people sick, neuroses is a common occurrence. A man is trying to sleep but noises keep him up. Trying to stop the noise he reveals a bizarre mixture of sounds and images. The film explores what can happen to a man irritated by noise when all he wants is to peacefully read his newspaper. From being peaceful the man turns dangerous. He is ready to destroy.
A film, like a long poem in which a married couple engage in conversation about love, death, and life while the scenery changes around them. The destiny of each human being plays out between the parallel and antagonistic lines of man and woman, day and night, north and south, black and white. And not knowing what real death will be, we imagine life and death in various ways.
An unemployed man with individualist and pacifist values is inevitably brainwashed by society and the mass media to conform to the dominant ideology and embrace war. His soul is destroyed but his heart cannot be conquered.
Tomek and Gucia are a pair of seven-year-olds. On a beautiful, sunny afternoon, they engage in typical children’s games after school – playing hopscotch and hide-and-seek, doing somersaults on the beater and climbing the wall. But above all, they play with each other – the boy tries to turn the girl into a boy named Piotrek. However, behind childhood games there is something much more serious – the first feeling.
This excellent Afrikaans language drama follows the deterioration of an Afrikaner family isolated and shunned in the small community of Toorwater. Nothing seems to happen. Then a circus train loses its way and comes to rest in Toorwater, and a mysterious clown brings fresh magic to the stagnating family, but he also poses a threat to the rest of the community. Katinka Heyns brilliantly succeeds in creating a metaphor for the Afrikaner family’s turbulent emotional, cultural and ideological journey from the darkness of apartheid back into the light of post-apartheid reconciliation (familial, cultural and political))