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The Polish city of Lodz was under Nazi occupation for nearly the entire duration of WWII. The segregation of the Jewish population into the ghetto, and the subsequent horrors of the occupation are vividly chronicled through newsreels and photographs. The narration is taken almost entirely from journals and diaries of those who lived–and died–through the course of the occupation, with the number of different narrators diminishing over the course of the film, symbolic of the death of each narrator.
Tag: FHD
Ruben is a lone and unbalanced young man who lost his sight in childhood. Marie is an albino woman of temperate look and with a lot of insecurities. She has a beautiful voice and along with Ruben shares a mutual love for books and tales. Ruben’s mother hires her as a reader to read her son books orally. While they live in a mansion, between these two lonely souls sparks love, but will love still be blind if the man recovers from his blindness?
The mother of the Indian female singer Pallavi is at the end of her life. She was master and teacher for her daughter for the art of Indian singing. But she will not be able to complete her lessons. So Pallavi experiences the lack of the guru of her mother. Finally she finds him in a very young street-girl who is able to sing marvelously. But this girl keeps disappearing again and again…
This lighthearted romantic comedy stars William Holden as working stiff Michael Stewart and Frances Dee as wealthy socialite Candace Goodwin. Falling in love with Michael, Candace agrees to marry him on his terms-namely, that they survive on his salary alone. Inevitably, Candace has trouble adjusting to her new lifestyle and yearns for the luxuries lavished upon her by her family. Meanwhile, Michael begins to suspect that Candace has been keeping company with men from her own social set.
The residents of an old people’s home anxiously watch television weather forecasts that predict a hard winter. When a huge transport of coffins arrives in the same night, the old people start to suspect that someone is preparing a mass death for them. In solidarity, they decide to escape and… go out to the country. They are followed by a police chase, which at times resembles a manhunt. The film, made in 1981/82 but released a year later, unexpectedly became a metaphor for the Polish history of the time.
Reluctantly, a sulky adolescent returns to her parents’ house for yet another boring summer vacation, dabbling in desire and the art of desirability, eventually mixing reality with vision, caged fantasies with the fierce female sexuality.
Csaba has just come out of doing a stint in prison because he stabbed a man while drunk, and when he goes home he discovers that his wife is now living with someone else in their apartment. Csaba quickly divorces his wife but he still has to move in and share a kitchen and bathroom with her and her new mate, suffering because he still loves her. This untenable situation is complicated by visits from Csaba’s mother, and by various women he starts seeing, as well as by a busy-body neighbor. The three main roles of Csaba, his wife, and her lover are excellently interpreted in this satire on social morés and economic realities.
Sándor Sára’s short experimental film juxtaposes pitiful war memorials against actual footage from the First World War. Thus, by exploiting the power of montage, the absurdity of celebrating war is brought to the fore along with the tragedy of how ordinary people are manipulated by ideologies and then despatched to the slaughterhouse. Pro Patria can be viewed as the overture in Sára’s film series on war, in which he does not yet apply the medium of the ‘talking heads’ documentary but instead the montage art form in order to dig deep into the subject: the tragic truth of the individual sent off to battle.