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Sixteen years after the accident that claimed his son’s life and permanently injured his wife, a man returns to his home in search of redemption.
Tag: 2000s
Finally back on his feet after a lengthy sickness, Matt finds himself searching for more meaning in his life. Accepting a position at a summer camp for autistic kids, Matt struggles to determine the best method for dealing with his two campers. Matt quickly develops a friendship with Rachel, one of the other counselors. Through her, he meets mute camper Jessica, and they form a mysterious bond that provides Matt with a deep insight into autism.
Imagining Ulysses is a compelling and beautifully shot feature-length documentary about James Joyce’s epic novel. The film is true to its source material in incorporating an 18-part structure, with each segment presented in a distinctive style. The experimental approach is balanced by the desire to make the novel accessible to a wide audience.
Durian Durian is a two-part film split between Mongkok’s Portland Street in Hong Kong and the north-eastern border region of mainland China. Ah Fan, the young girl from Little Cheung, lives in the former with her poor family, originally from Shenzhen, who illegally overstayed their three month visas to scrape together an income washing dishes and selling cigarettes. Fan meets Yan, a prostitute from the mainland, in a laneway behind Portland Street. They become friends after Yan’s pimp is assaulted in front of Fan by an assailant wielding that most dangerous of weapons, a heavy, sharply spiney-skinned durian fruit. Yan returns to the north-east to invest what she has earned after her three month Hong Kong visa expires.
In a Swiss hotel, Titta di Girolamo lives a rigid and tedious life, sitting by a lake day after day. After ten years of waiting for something, although he doesn’t know what, he begins to talk to Sophia, the hotel’s barmaid, and as he tells his story, everything changes.
Debut feature film from one of the most widely recognized directors from China’s “New Generation” of filmmakers, Ju Anqi. Filmed in Spring 1999, a gonzo camera crew roams the streets of China’s capital, asking random passersby, “Is the wind strong in Beijing?” This ambiguous question provokes a startling variety of responses that expose social and cultural anxieties within contemporary China.
When a war-torn, suburban family struggles to survive in a dystopic future, they learn how little distinguishes humans from man’s best friend.
This is the story of a twenty-five-year old man in a working-class district in Malaga whose family asks him to takes his father’s place on his death in other words they want him to become the father of the family. Carlos does not want to accept this role. So the only thing he can think of to get out of this situation is to lie. Carlos invents a job and each morning he puts on his father’s old suit and goes to this imaginary job. But to get the money his mother asks for he must add to the lie everyday. And the lie grows to such proportions that it becomes like a house of cards and it is just as flimsy.