Landow rejects the dream imagery of the historical trance film for the self-referential present, using macrobiotics, the language of advertising, and a speed-reading test on the definition of hokum. The alienated filmmaker appears, running uphill to distance himself from the lyrical cinema, but remember, “This is a film about you, not about its maker.”
Tag: 1970s
14-year-old Jurek spends his summer holidays in his Silesian hometown of Borzechów. The boy gets into a conflict with a group of peers bullying their weaker colleagues. He is also shaken by the mysterious disappearance of his mother, who has allegedly gone away to a sanatorium. Unexpectedly, he falls in love with Elżbieta, a girl from Warsaw. The new experiences accelerate his coming of age and turn him into a responsible, courageous man. The end of summer holidays becomes a symbolic end of his childhood.
A view of man’s perpetual struggle for self-destruction, in which we glimpse a world where rockets are part of everyone’s lives. In the end the red button is accidentally pressed by a careless caretaker, expressing the fear in all our minds.
The film opens with a salute to Walt Disney, a pioneer of nature films and animal lover, followed by a compilation of excerpted segments from the True-Life Adventures film series showcasing animals of all kinds depicted in dramatic, fascinating moments of habitats from the American prairie to the North American desert, to Africa, the Amazon jungle and to the Arctic.
A half-cast used cars salesman wants anything from the white society and is ready to do anything to get it. But when he is accused of murdering his half-sister who was killed with his rifle, he flees to an indian village. He doesn’t feel any more at home there than in the white city. He decides to go back to find and punish the killer.
After a series of events, Georg Hauser, an established middle-class man, is at odds with the world, in which he himself used to work so well. He wants out. He wants to live. In a moment of his very own clarity, he destroys his car, but whoever destroys his property is an enemy of the state.
In this end-of-the-life scenario, which is designed as an expressive silent film with subtitles, a group of adolescents and scattered loners move through a destroyed landscape. One of the leaders is poisoned by his girlfriend, who now takes his place and demonstrates her power to a newcomer. However, he in turn passes the test of courage, puts himself in the place of the head of the group and leads the ever-growing community into an uncertain future.
Chris Munger directed this blaxploitation version of the popular skinflick Starlet! (1969). The story concerns Clara , an aspiring actress from the housing projects of Gary, Indiana, who goes to Hollywood in search of fame and fortune. Predictably, she is robbed, betrayed, and must hit the casting couch before her dreams can come true.