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Documenting and contrasting children’s youthful beauty with the squalor, hardship and wasted potential of their daily lives; students learning how their counterparts really live and are encouraged to think about what these children need to thrive.
Tag: 1970s
Ski instructor Johnny is carrying on a romance with Samantha, a married woman who also serves as the hostess at a ski lodge. Samantha coaxes Jack into giving skiing lessons to the Stones, a rich family whose patriarch is the head of a mysterious company planning to take over the resort.
My Survival As An Aboriginal rocked Australia and the world with its presentation of atrocities and hardships committed against Aboriginal people. The movie delves beneath surface appearances to reveal a strong resistance to assimilation and loss of identity, as the late Essie Coffey, a Murrawarri woman, takes us into the Aboriginal struggle for survival. She documents the effect of dispossession, the chronic depression, alcoholism, deaths in custody and poverty that were so much a part of life for Aboriginal people.
Bank robbery in small town ends with one of the robbers being wounded. The loot from the robbery is just an asset for the even more spectacular heist. Simon, gang leader and Paris night club owner, must also deal with police comissaire Edouard Colemane, who happens to be his good friend.
A man sentenced to death reflects on his arrest, interrogations, torture… and a bit on the time before, long gone, swallowed up by pain and numbness.
The third installment in the Coffin Joe Trilogy, The Awakening of the Beast, follows Coffin Joe’s sadistic experiments on four drug addicts who volunteer to take LSD. The experiments are intended to prove that drug use is related to sexual depravity. Director José Mojica Marins once again plays Coffin Joe, who sits with a panel of psychiatrists on a television show, using videos of the addicts as proof of the connection between drugs and lewd sexual behavior.
Péter Szoboszlay’s strongly socially critical film is permeated by the stylistic motifs of psychedelic pop-art and hippy Art Nouveau. The hero is a typical figure of the soft dictatorship, the tyrannical janitor, in the character of which one can almost see the spectre of fascist ideology. The pseudo-documentary (albeit with sociographic authenticity) interview with the janitor is be performed by actor–director Péter Halász.
Story about a small dance band in the late ’50s making pocket money by doing local weddings and hops with decorously swung versions of ‘Sugar In The Morning.’ Their leader is Sven Klang, brilliantined and eternally grinning, a car dealer by day and a people dealer by night. His control of the band, on and off stage, in and out of bed, is complete – until the arrival of the new alto saxophonist who has played the Stockholm club circuit, a full-time jazz man whose art is his life.