With a combination of Hollywood, European and Israeli film, documentary, news coverage and excerpts of ‘live’ footage shot in the West Bank and Gaza strip, Introduction to the end of an argument critiques representation of the Middle East, Arab culture, and the Palestinian people produced by the West.
rarefilmm | The Cave of Forgotten Films Posts
Fascism has forced the leadership of the Italian Communist Party to settle in Paris. In Italy arrests of militants are decimating the organization, so Emilio is sent on a mission in the area of Turin, to put out of harm whistle-blowers.
Two drifters, Jun and Katsuhiro, dream of escaping Japan for Africa but end up stranded in a bleak fishing town in Hokkaido. There, they drift between odd jobs, drinking, and fleeting connections, including with a disillusioned woman, Fujiko. Their dream of Africa becomes less a destination than a symbol of escape from stagnation, as the film reflects on friendship, longing, and the quiet despair of lives lived on the margins.
The gray and monotonous life of Abel takes place between a small family shop selling unisex clothes, his dates with his girlfriend Tere, his mother’s house, a friend’s kiosk and the neighborhood bars. Always the same problems, the same faces, the same conversations. However, under the appearance of calm and affable man, Abel hides a dark, violent and sickly personality.
This movie portrays British poet/author Stevie Smith and her life with her beloved aunt through direct dialogue with the audience by Stevie, as well as flashbacks, and narration by a friend. The movie mainly focuses on her relationship with her aunt, romantic relationships of the past, and the fame she received late in her life.
A teenage rock musician masturbates gleefully and often. Way too often. One night, flying sperm escape and impregnate local women. The babies grow into an army of little creatures with the teen’s head — and libido.
Filmed study of Bunraku, the classical Japanese puppet art, which uses three-quarters life-sized figures, handled by black-clothed manipulators who remain in plain view of the audience, convention rendering them invisible. These scenes trace Bunraku from the making of the puppets and the way in which their limbs are articulated, to their costuming and reflections on their relationship to kabuki theater. It includes complete performances of traditional Bunraku plays. Commentary by the well-known authority on dance and Asian arts, Faubion Bowers.