Since the death of his mother, Pascal, ten years old, spends his holidays with his father, the rich Laurent Segur. One day, when diving near the shores of Corse, an aircraft falls into the sea. The holiday goes on happily with Catherine, the young and pretty girlfriend of Laurent. But soon blue marks appear on the face of Pascal. He has been contaminated by a nuclear weapon carried by the destroyed plane, and he won’t survive more than six months. There is nothing Laurent can do, except give his son the best six months he has ever lived.
rarefilmm | The Cave of Forgotten Films Posts
Since the death of his mother, Pascal, ten years old, spends his holidays with his father, the rich Laurent Segur. One day, when diving near the shores of Corse, an aircraft falls into the sea. The holiday goes on happily with Catherine, the young and pretty girlfriend of Laurent. But soon blue marks appear on the face of Pascal. He has been contaminated by a nuclear weapon carried by the destroyed plane, and he won’t survive more than six months. There is nothing Laurent can do, except give his son the best six months he has ever lived.
Between 1798 and 1812, the wild, romantic country of the English Lake District saw an intense concentrated flowering of literary genius. At its centre was the poet William Wordsworth, born in the region, who lived there almost all his life with his beloved sister Dorothy. Around him, as the genius of the age, gathered other poets and writers – Robert Southey, Samuel Taylor Coleridge and Thomas de Quincey. This idiosyncratic two-part mini-series, conceived by acclaimed director Ken Russell, concentrates on the relationship between William and Dorothy, and the battle with laudanum faced by Coleridge.
DON’T SHOOT THE COMPOSER is far from an ordinary profile of Georges Delerue. It also serves as a calling card for Ken Russell, whose work would define the 1970s as Delerue’s did in the 1960s. It begins with a sly work of pastiche, parodying the conventions of French noir. It goes onto encompass slapstick, verité scenes of the Delerue family and a harrowing montage of the Vietnam War. This eclectic approach gives us a sense of the different facets of Delerue’s life- his love of cinema, his home life, his work ethic. It also prefigures Russell’s feature length biopics of Mahler and Liszt, though in a more modest- and lucid- fashion.
Somewhere outside of time as we understand it is the timeless realm known as Eternity, where a group of highly trained technicians drawn from all the Centuries under their control, have manipulated the Earth’s history to transform it into what they believe to be a perfect world, free from every disaster and hardship. But when Senior Computer Twissel sends a young Technician named Harlan to study the 480th Century in the company of a seductive woman, Harlan begins to suspect that Twissel may have some secret plan of his own which has something to do with the forbidden centuries before time travel was invented…
Interweaving poetry, painting, photography, music and sculpture, this feature documentary is an innovative look at the lives and work of Canadian men and women artists of Italian origin. Broaching issues of identity and culture, the film explores the relationship between the immigrant experience and the creative process.
A two-part program which examines the life of Samuel Coleridge from his orphaned childhood to how his friendship with William and Dorothy Wordsworth inspired him to write The Rime of the Ancient Mariner. Part 2 consists of a visualization of Coleridge’s epic poem.
Man’s inner-self lives in a state of perpetual fear as a defense mechanism against the scary things in life. However, fear is subjective and that defense mechanism may be obscuring that which should not be feared. Thus, a scientist develops a pair of spectacles that changes the wearer’s perspective and allows them to overcome their worst fears.