rarefilmm | The Cave of Forgotten Films Posts

April 10, 2023 / Drama

A rock and roll singer gets stranded in a small Australian town after losing her job in a band. She winds up in a trailer park only to encounter, by accident, the teenage daughter she deserted following her husband’s death.

April 10, 2023 / Experimental

Remembrance of Things Fast represents the culmination of Maybury’s work in video, which has developed alongside the technology itself. Starring Tilda Swinton and Rupert Everett in lead roles, the tape confronts the conventions of world television and satellite broadcast, drawing on the fragmentary nature of the medium and the clichés of the three minute attention span. At the same time, it replaces bland mainstream images with darker, more satirical observations and studies.

April 10, 2023 / Erotic
April 10, 2023 / Documentary

A year before his death in 1972, M.C. Escher’s process and essence was captured by fellow Dutch creative Han van Gelder for the 20-minute film Adventures in Perception. The documentary, while short, is a striking portrait of the artist, whose tessellations, perspective-shifting drawings, and studies garnered fans in both the art and scientific fields. The film was crafted for Ministry of Foreign Affairs, Netherlands’ program “Living Art The Netherlands.”

April 10, 2023 / Comedy
April 10, 2023 / TV Movie

Filmed in Canada for American television, Love Mary is based on the true story of Dr. Mary Groda Lewis. When we first meet Mary, she’s neither a Lewis nor a doctor, but instead simply a troubled young girl. Diagnosed as retarded and incorrigible, Mary is shunted off to a reform school. Here, counselor Rachel Martin discovers that Mary’s handicap is not retardation but dyslexia. After years of intense and compassionate therapy, Mary is allowed to re-enter the outside world–where two illegitimate pregnancies and a debilitating stroke do not dissuade the girl from her goal of becoming a doctor.

April 10, 2023 / TV Movie
April 10, 2023 / Documentary

In this unique approach to the autobiographical film format, director Stephen Dwoskin pieces together home movies shot by his parents in New York City, a video letter recorded during the 1990 Gulf War by filmmaker Robert Kramer, and raw footage filmed by Dwoskin himself. A veteran of the New York independent film scene of the 1960s, Dwoskin constructs a film poem in which the strong sentiment of his personal story—he was stricken by polio and eventually confined to a wheelchair—never overwhelms the beauty of the film’s distinct form.