In Amanha Lundju, the trees planted upon the birth of each child begin falling rapidly and mysteriously. Led by the tradition healer, Calcalado, the villagers begin a desert exodus in search of the cause of their curse and discover they must return home to fight for their traditions and their old way of life.
rarefilmm | The Cave of Forgotten Films Posts
Miner-turned-dentist McTeague wins young Trina Sieppe away from her cousin Marcus, McTeague’s friend. When Trina wins five thousand dollars in a lottery, Marcus accuses McTeague of marrying her for her money. Trina becomes more and more obsessed with money, refusing to spend any of her winnings even though she and her husband are forced into dire straits. When Marcus informs the authorities that McTeague is not licensed as a dentist, thus depriving him of his meagre living, the friendship and the marriage are destroyed. At last murder intrudes, leaving no one unscathed.
Haru, an aging scriptwriter, has isolated himself somewhere in the woods of Nagano to work on his first novel. As the last surviving member of his kin, he intends to chronicle the family he grew up in.
Set in 1944. A courtly sheepherder enters an abandoned palace he has seen only from the distance since he was a boy. Once he enters the palace, strange things begin to happen as though he was dreaming the events rather than living them.
The film deals with the infamous “Kommando 52”, which was active in the 1960s civil war in the Congo and was recruited mainly from West German men. Among them is the former Wehrmacht officer Siegfried Müller. Based on personal accounts and original material – backed by tape recordings of interviewed mercenaries and photos of murdered Africans – it creates a hard hitting historical document.
The rebellious daughter of an army general gets involved with a Communist agitator, mainly to annoy her father. He arranges to have her kidnapped and taken to Mexico–hoping that she will forget her “Red” boyfriend–by a young, handsome soldier named Jeff who, while somewhat of a goof-up, the general believes is still better for her.
Extending his fascination with genre cinema, Petzold’s second feature is a made-for-television variation on the 1945 noir Detour, transposing Ulmer’s Poverty Row classic from the gloomy backroads of postwar America to the drab railway stations and sunlit autobahns of 1990s Europe. Across this colorless landscape, homeless drifter Tom tracks ex-lover-turned-prostitute Tina with the questionable assistance of a slick rich guy named Jimmy, pursuing parallel paths on a desperate odyssey westward that just might lead all the way to Cuba.