Idealistic young man supports the party and the new Yugoslavia’s communist regime, but soon gets involved in various political and criminal machinations becoming more and more confused about what’s right and what’s wrong.
Tag: YUGOSLAVIA
A seductive and ruthless spy in the service of Germany steals state secrets -including the formula for poison gas- from England and France during World War I. British intelligence, in turn, tries to hunt her down.
In April 1941, the Third Reich declared war on Yugoslavia. The war campaign lasted 12 days, days of collapse and chaos. “Tri” narrates three stories before, during, and at the end of the conflict with the same protagonist, named Milos Bojanic.
A guard prevents the inmate’s escape from the prison. During his second attempt, the inmate decides to save the guard’s life who had fallen into the river while trying to catch him. Since the guard’s job is now to keep an eye on him in the cell, they spend a lot time together and their hatred turns into a sincere friendship. Now the guard wants to help the inmate to escape again…
Belgrade in early 1999, as NATO’s bombing campaign against the former Yugoslavian capital is at its height, a group of friends struggle to survive the attacks and sort through their personal difficulties, all the while working to keep their neighborhood basketball court intact amidst the rubble.
Rados is a young man who lives in the provinces of Yugoslavia and who has his heart set on becoming a great pianist making music for humanity, and nothing less than that. His companions at the Belgrade Academy of Music are not beset by the same economic deprivation as Rados, and they spend their time in effete pursuits, romantic liaisons, parties, and generally egocentric behavior. Rados’ simmering anger starts to heat up when he sees the enormous gap between the pretensions of the students and the nature of brilliantly composed music.
Gratinirani mozak Pupilije Ferkeverk is a short experiment as weird and extravagant as its incomprehensible title. Brains, made in collaboration with an avant-garde theatre troupe by the name of Pupilija Ferkeverk, can be viewed as a recording of a carefully constructed performance, a spontaneous ritual or simply a bunch of longhaired, sea-hugging naturists tripping, as a passionate plea in favour of individuality and freedom and an angry cry against any kind of authority.