“Uncle” Moses is a wealthy garment store owner in the Lower East Side. He lords his wealth and its attendant power over the neighborhood, dispensing noblesse oblige and conducting casual affairs with numerous women. When he falls in love with the beautiful young daughter of one of his employees, he discovers what it is like to be beholden to another person.
Tag: USA
When Elena Sandoval returns from Mexico to her family’s ranch in California, she hopes to bring new ideas to modernize their business. Her plans, however, spark conflict with relatives who cling to tradition. Romance, rivalry, and cultural clashes unfold, leading to a spirited mix of comedy, music, and misunderstandings before harmony is restored.
This independent film, a slice-of-barrio- life that was shot and exhibited in South Texas. It is a compelling film about the dilemmas facing a young Chicano in the spring of 1972 amid the Chicano Movement.
Stu and O.T. are two studs from the big city who arrive in Fort Lauderdale for spring break. They discover that the room they had reserved in an over crowded motel is already being occupied by Nelson and Adam, a pair of college nerds. With no other accommodations available, Nelson and Adam reluctantly agree to share the room with Stu and O.T., who promise to show them a good time. The wet-T-shirt contests and beer-guzzling-fun are threatened when Nelson’s controlling step-dad shows up, along with a building inspector who wants to shut down the motel.
Ranchers Walton and Turner are losing cattle to rustlers and they each blame the other. After Walton and Clint Turner argue, Walton is found shot and Sheriff Gordon has to arrest his friend Clint. With Clint scheduled to be hung, Gordon desperately looks for evidence to clear him.
Young lesbian parents Shareen and Claire are raising their 5-year-old daughter Honey in a converted garage on Staten Island. Shareen salvages refuse with her pickup truck while Claire waits tables at the hip Naga Saki restaurant in Manhattan, caught up in a global exchange of industrial waste via contaminated sushi. As a ghost barge bearing nuclear refuse circles the planet in search of a willing port, household pets begin to glow ominously, then disappear; and people start speaking in tongues. The crisis escalates when a multinational corporation is implicated, the couple’s daughter Honey mysteriously vanishes, and a group of young New Yorkers strike back in an unlikely alliance with activists in the developing world.
Sam, a recovering alcoholic, feels dissatisfied with his life of sobriety and goes back in search of the good times he enjoyed with his wino friends on “the Nickel” of Los Angeles’ skid row.
An uncompromising look at the ways privacy, safety, convenience and surveillance determine our environment. Shot entirely at night, the film confronts the hermetic nature of white-collar communities, dissecting the fear behind contemporary suburban design. An isolation-based fear (protect us from people not like us). A fear of irregularity (eat at McDonalds, you know what to expect). A fear of thought (turn on the television). A fear of self (don’t stop moving). By examining evacuated suburban and corporate landscapes, the film reveals a peculiarly 21st century hollowness… an emptiness born of our collective faith in safety and technology. This is a new genre of horror movie, attempting suburban locations as states of mind.