Based on Sam Greenlee’s novel, The Spook Who Sat by the Door tells the story of Black CIA agent hired to showcase agency integration in order to boost a white senator’s re-election campaign. After going undercover as a Black nationalist, he abandons the agency in order to train young recruits in Chicago to become urban guerrillas. Though filmed mostly in Gary, Indiana due to Mayor Daley’s personal distaste for the subject matter, the landscape of Chicago casts a strong shadow over the movie.
Tag: USA
A landmark of both experimental and queer filmmaking, Kenneth Anger’s film is a bizarre, disturbing dreamscape of violation, rape, and homoerotic sadomasochism. The film opens with Anger, who made this film when he was only 17, awaking from a troubled dream and leaving his house to go on a stroll. He is confronted by a band of buff sailors who proceed to beat, manhandled, and molest him. Recalling other surrealist masterpieces such as Un Chien andalou and Meshes in the Afternoon, this film uses elliptical narrative structure and dream-like visual metaphors and puns.
In this comedy special, Lily Tomlin plays familiar characters such as young Edith Ann, housewife Judy Beasley, and telephone operator Ernestine, while debuting a new character, Wanda V. Wilford. Lily opens the show by talking about how there’s “more to life” than being a gifted actress, and how, as a youth, she dreamed of becoming “a big city waitress.”
A look at the 40-year career of acclaimed feminist artist Nancy Spero, who, in her own works, is concerned with “rewriting the imaging of women through historical time.” With Spero’s own voice as narration, this documentary tracks her development as she matured against the grain of Abstract Expressionism, Minimalism, and Pop Art when “there wasn’t room in the art world to make way for political or activist art.”
In this musical, producers begin searching for a real southern belle to star in a Broadway production. The two are forced to hear a woman’s audition and agree to let her have the lead. She is soon fired, but is pursued by the producer who has fallen in love with her. Songs include: “Find Yourself a Melody,” “I’ll Never Let a Day Go Past,” “Kiss the Boys Goodbye,” “That’s How I Got My Start,” and “Sand in My Shoes.”
An alcohol/drug abuser re-examines his life until he nearly dies from an overdose. Then a friend convinces him to join a self-help group which turns out to be demonic.
Charlie Gordon, a mentally challenged man who is eager to learn, is given an experimental operation to increase his intelligence to genius level. The experiment seems to work, until one of the lab animals the procedure was tested on begins to lose its intelligence…
Francois Truffaut in conversation in 1977 with Richard Roud, then Director of the New York Film Festival. Truffaut, director of “Jules and Jim,” “The Four Hundred Blows, etc. was in America for the premier of “The Man Who Loved Women” at the 15th NYFF. The film director speaks of his childhood, the moral challenge of World War Two, the real meaning of the “auteur theory”, how the conservative French film industry was forced to change, Truffaut as a “culture hero” in the US, making a film that is as personal as a novel, the difference between French and American approaches to cinema, and many other themes.