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Bullfighter Luis Bello is a star, but fear and doubt strike quickly after he is injured in the ring. Manager Raul Fuentes refuses to let him give up, though, pushing Luis to overcome his doubt and remain a matador. Luis agrees, but complications ensue when he falls for Raul’s girlfriend, Linda. Things get even worse after a tragic accident and a public embarrassment. Now, to salvage his dignity, Luis needs one last shot in the ring.
Tag: USA
Dr. Bill Remsen, a fashionable New York singing physician, poses as a policeman to save to save his best friend’s job Officer Lawrence O’Roon. He quickly finds out that a policeman’s lot is not a happy one when he finds his assignment is to serve as the personal bodyguard of the quirky socialite Mrs. Lorelei Dodge-Blodgett. But duty blends pleasantly with love when Mrs. Dodge-Blodgett orders him to guard Judy Marlowe, her pretty niece who wants to runaway with a gangster. But music has charm, even for a spoiled rich girl, and after a few inoculations of Dr. Remsen’s crooning, Judy decides to engage her bodyguard on a lifetime contract.
After five years working with Roger Corman, Jonathan Demme moved to Paramount to make Citizens Band, a charming ensemble comedy following a disparate group of characters who communicate across the airwaves. A huge influence on Paul Thomas Anderson, the film’s empathy for the outsiders and eccentrics who would characterise Demme’s later work is clearly evident here. And the cast, including Le Mat as a CB vigilante and Napier as a bigamist trucker, is terrific. A prescient study of human behaviour that resonates in our social media era, Citizens Band’s box-office failure left Demme fearing his career was over, but it can now be seen as the moment he found his distinctive voice.
Presaging details and intent of the Charles Manson’s cult and actions was not meant to be one of this film’s greater attributes. It was, however, filmed uncannily months before the facts were known. The resemblance is oblique. The film: the mysticism of a “calling,” a journey to be made, a vision in mid-desert to behold and oneness with it all. Filmed in Death Valley.
A documentary about the U.S. judicial system, explaining the types of cases tried in the lower court, showing the typical minor offenders and examining the inadequate jailing facilities.
Montmartre, 1896: the Can-Can, the dance in which the women lift their skirts, is forbidden. Nevertheless, Simone has it performed every day in her nightclub. Her employees use their female charms to let the representatives of law enforcement look the other way – and even attend the shows. Then the young ambitious judge Philippe Forrestier decides to bring this to an end. Will Simone manage to twist him round her little finger too? Her boyfriend, Francois, certainly doesn’t like to watch her trying.
Young Sabu is a happy stable boy in the kingdom of Samukan, in charge of taking care of the Caliph’s elephant. Searching for a lost diamond, he finds instead a mysterious ring which, unbeknownst to Sabu, conjures up a genie when he rubs it.
James Ivory’s second documentary, The Sword and The Flute, also dealing with schools of art, grew out of his experience in making Venice: Theme and Variations. Only here, instead of photographing works by the Italian masters, he has used superb examples of Indian miniature paintings. Ivory’s intelligent script, narrated with feeling by Saeed Jaffrey, and accompanied by the music of Ravi Shankar and Ali Akbar Khan, traces the history of Indian miniature painting after the Moghul invasion as it develops into two principal schools, the Moghul (Muslim) and the Rajput (Hindu).