A woman, Betty, is visited by a cleaning product salesman, Farnesio, the day she is going away on a trip. The salesman stays in the house and as they have some drinks a series of bizarre events occur.
This was the first of a trilogy of films that director Rodríguez filmed to exalt the box office figure of Villa. Narrated in the form of independent episodes, it has seven segments of which the last one is the longest and narrates the love that a singer named Jesusita feels for the bold, but married, general. Between the episodes the loyalty of the man is shown, the sense of justice, his hypocritical heresy and the aspect of a womanizer and conqueror.
A boy lives with his alcoholic grandfather and wants to get rid of his vice. One day he sees in the wax museum that a couple of drunks are frightened by the figure of Dracula and he spreads word in his neighborhood that Dracula is prowling around. Then he disguises himself as the mythical character to scare his grandfather.
Nacho and Mauricio are two young men who have a great rivalry, one day Mauricio decides to propose a bet to Nacho that consists of hunting a wild bear that is said to live in a distant valley called Pico de Caballo, the two accompanied by their friends go to the place to see who hunts the animal first, but what they ignore is that in that desolate place they will not find a wild bear but a vicious killer willing to slaughter them one by one.
Circle of Power is not recommended viewing for any aspiring executive about to undergo leadership classes. Yvette Mimieux plays the head of an organization called Executive Development Training, or EDT for short. Her grueling technique requires that both the male trainees and their wives participate. Few of the participants seem psychologally suited for the EST-like excesses of EDT: one man is a closeted homosexual, another an alcoholic, a third a transvestite.
Hell-bent on revenge, cocky reform-school runaway El Jaibo returns to his old neighborhood in post-World-War-II Mexico City’s poor and squalid slums, to reunite with his faithful gang of juvenile delinquents and street urchins. However, as the dangerous ringleader lives and breathes retribution, his destructive obsession to find the informant who supposedly sent him to jail will intricately interweave his bitter fate with that of Pedro, his weak, unwitting accessory, in a despicable act of pure evil. In the end, are humans inherently good or bad? Is immorality contingent with society?
Loose cannon Sgt. Richard Montana screws up a major drug bust and is passed over for promotion for Henderson, a cop he holds responsible for the death of his first partner. Disgusted, Montana throws in his lot with drug kingpin Gio. While he eliminates Gio’s competitors and gets his promotion, Gio’s lady tempts him into a scam that will see them both either rich or dead.
Alex Cox (REPO MAN) directed this stylized adaptation of Jorge Luis Borges labyrinthine detective story about a totalitarian city of the future plagued by a rash of bizarre crimes. Peter Boyle stars as Lonnrot, a decidedly even headed detective prone to philosophizing and Christopher Eccleston is his nemesis, Red Scarlach, whom Lonnrot believes could be behind these ritualistic crimes. Set in a surreal landscape that provokes Lonnrot’s philosophical musings and leads him through mystical cabals and conspiracies within conspiracies, DEATH AND THE COMPASS is a remarkable adaptation of Borges’ story, and a fascinating, often exhilarating film.